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做个好人以便看起来像个好人-7
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-萌gd
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-9
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-闫博文+帽子迷彩男
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-杨婕
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-10
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-11
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-ime
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人-8
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
做个好人以便看起来像个好人
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
All Things Grow
Ideas: everything in the world there is always a containment, the influence of the sometimes-complex mix-and-match I have you, in this work using black, grey, yellow three colors as the main color , each color represents one kind of things they mutual constraint, mutual competition, closely linked to compare in the level of black and white ash the bright way. hope Through the work to reflect our understanding of some of the subtle connections between things, as if we have no ability to interpret the world, but we live The is to realize some tiny behavior by changing or to feel the existence of the world.
Feng Jianda
No Mountain-2
look like the mountains but it is not.
He Jiqing
No Mountain-3
look like the mountains but it is not.
He Jiqing
No Mountain-4
look like the mountains but it is not.
He Jiqing
Empty
This painting is showing about my wish about my mind
Li Yuxin
Aegean Sea Sunglow
In fact, my works embody the trace of ideality, reality, thinking and progress. Unconsciously, I seem to have become my own lives screenwriter, have become my own director of art. "Describing" the ideality and "telling" the reality is on the canvas. It is precisely such "describing" and "telling" constantly leads me to identify and choose.
Yu Wanying
Aegean Sea Thinking
For a long time, I have been fascinated by my own fantasies in painting, which includes both those "ideal reality" and "realistic ideality". With the spirit beyond the material, I tried to reflect the reality by the ideality.
Yu Wanying
Romantic Oval Garden
I tried to achieve the ideality by the reality and reflect the spirit by the material. Tradition is my ideality and contemporary is my reality, perhaps quite the contrary. But they are concrete and real.
Yu Wanying
墙
A wall of the temple, bright red and yellow, is my impression of the Tibetan area.
Li Jingjing
藏红1
Tibetan red
Li Jingjing
藏红2
Tibetan red
Li Jingjing
藏红3
Tibetan red
Li Jingjing
藏红4
Tibetan red
Li Jingjing
藏红5
Tibetan red
Li Jingjing
藏红6
Tibetan red
Li Jingjing
翁丁1
‘Weng Ding” in the Wa nationality people translated as smoke-filled place, China’s last primitive tribe， rising with the sun, resting with the sunset.
Li Jingjing
翁丁2
‘Weng Ding” in the Wa nationality people translated as smoke-filled place, China’s last primitive tribe， rising with the sun, resting with the sunset.
Li Jingjing
翁丁3
‘Weng Ding” in the Wa nationality people translated as smoke-filled place, China’s last primitive tribe， rising with the sun, resting with the sunset.
Li Jingjing
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