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Dangling
Works to convey a sense of loneliness and secretive state, and the fish suspended in the black space, which is fragile and serene.
Zou Xuefeng
Nostalgia
A dog walking alone in the dark night, in the night there is a small piece of the home of the mountain, the home is not to go back.
Zou Xuefeng
Idea
The work wants to convey a kind of mind, a kind of quiet thought.
Zou Xuefeng
社会关系4-17
Social relation theme at present has four easel painting series and each series are different in painting ways and expression.4 is also the latest works.I always think the painting can't explain the so-called art. So I continue to enrich it in different manifestation ways .It's not enough for me,in my spare time,I still insist on using behavior and device to perform socid relations. It will be more possible for me to perform what I want to express. In this way, I also can feel at ease to display my paint in front of people. Status in the society to our cause of his own thinking, everyone living in this society, everyone feel the deepest is its role in the social relations. Character withdrawn I understand this society is not simple is not complicated, simple is that everyone is individual, complicated interpersonal emotion, but between complex let everyone learn to protect themselves, when will they wrapped the cowardly out watching any of what is happening in the society, but silent,
Pei Xiaoyu
社会关系4-14
Social relation theme at present has four easel painting series and each series are different in painting ways and expression.4 is also the latest works.I always think the painting can't explain the so-called art. So I continue to enrich it in different manifestation ways .It's not enough for me,in my spare time,I still insist on using behavior and device to perform socid relations. It will be more possible for me to perform what I want to express. In this way, I also can feel at ease to display my paint in front of people. Status in the society to our cause of his own thinking, everyone living in this society, everyone feel the deepest is its role in the social relations. Character withdrawn I understand this society is not simple is not complicated, simple is that everyone is individual, complicated interpersonal emotion, but between complex let everyone learn to protect themselves, when will they wrapped the cowardly out watching any of what is happening in the society, but silent,
Pei Xiaoyu
社会关系4-18
Social relation theme at present has four easel painting series and each series are different in painting ways and expression.4 is also the latest works.I always think the painting can't explain the so-called art. So I continue to enrich it in different manifestation ways .It's not enough for me,in my spare time,I still insist on using behavior and device to perform socid relations. It will be more possible for me to perform what I want to express. In this way, I also can feel at ease to display my paint in front of people. Status in the society to our cause of his own thinking, everyone living in this society, everyone feel the deepest is its role in the social relations. Character withdrawn I understand this society is not simple is not complicated, simple is that everyone is individual, complicated interpersonal emotion, but between complex let everyone learn to protect themselves, when will they wrapped the cowardly out watching any of what is happening in the society, but silent, only a good elite status. This protection has become a kind of meat stab to others, let the sackings, eventually, cut the influence to the surrounding. Relative so I prefer to the most highly social civilization under the \"fool\", a liability for the society, to point out that the pathological.
Pei Xiaoyu
废墟的重构系列一
走进它它就是一些支离破碎的砖砖瓦瓦、掉色的混凝土、生锈的钢筋铁皮，东倒西歪的杂乱不堪的堆积成一片片的废墟。远观它时它似乎又神奇般的成为另一个景象，或是一个抽象的雕塑形象，又或是一个似曾相识的生活物象，不同的角度能观看出不同的形象变化，不尽相同的变化在不同的人眼里所产生的美也会大有不同，正是这种令人感到模糊抽象的美触发了我创作的冲动。我试图努力的将这种美的景象主观化，将这种模糊但又若有所见的感觉放大化。
Qi Yacheng
废墟的重构系列四
走进它它就是一些支离破碎的砖砖瓦瓦、掉色的混凝土、生锈的钢筋铁皮，东倒西歪的杂乱不堪的堆积成一片片的废墟。远观它时它似乎又神奇般的成为另一个景象，或是一个抽象的雕塑形象，又或是一个似曾相识的生活物象，不同的角度能观看出不同的形象变化，不尽相同的变化在不同的人眼里所产生的美也会大有不同，正是这种令人感到模糊抽象的美触发了我创作的冲动。我试图努力的将这种美的景象主观化，将这种模糊但又若有所见的感觉放大化。
Qi Yacheng
废墟的重构系列五
走进它它就是一些支离破碎的砖砖瓦瓦、掉色的混凝土、生锈的钢筋铁皮，东倒西歪的杂乱不堪的堆积成一片片的废墟。远观它时它似乎又神奇般的成为另一个景象，或是一个抽象的雕塑形象，又或是一个似曾相识的生活物象，不同的角度能观看出不同的形象变化，不尽相同的变化在不同的人眼里所产生的美也会大有不同，正是这种令人感到模糊抽象的美触发了我创作的冲动。我试图努力的将这种美的景象主观化，将这种模糊但又若有所见的感觉放大化。
Qi Yacheng
时间——迹
时间的痕迹
Wu Song
Autobiography-1
My most recently work, Autobiography , is trying to define myself as a social individual in a more reasonable way. As We could use vocabularies in terms of gender, nationality, religion, race etc . To identify ourselves, however, these words are not eternal as we thought. Dislike the vocabularies, the particular experience I have describe more on where I am from. Getting rid of the limits of vocabularies, my work define my identity via capturing the trace of the objects I eat everyday, such like rice, sugar, medicine, teabags even my body. These objects embody the experience I had in a specific place, and the relationship between me and the place. It tells so much more about who and how similar we are. The technical process of my work is Cyanotype prints, which is a photographic process that using the sunlight to produce a blue print. After the exposing step (sunbathe) and then the developing step ,a Cyanotype prints would finally come out. Cyanotype offers an execution that using
Yu Dan
Autobiography-2
My most recently work, Autobiography , is trying to define myself as a social individual in a more reasonable way. As We could use vocabularies in terms of gender, nationality, religion, race etc . To identify ourselves, however, these words are not eternal as we thought. Dislike the vocabularies, the particular experience I have describe more on where I am from. Getting rid of the limits of vocabularies, my work define my identity via capturing the trace of the objects I eat everyday, such like rice, sugar, medicine, teabags even my body. These objects embody the experience I had in a specific place, and the relationship between me and the place. It tells so much more about who and how similar we are. The technical process of my work is Cyanotype prints, which is a photographic process that using the sunlight to produce a blue print. After the exposing step (sunbathe) and then the developing step ,a Cyanotype prints would finally come out. Cyanotype offers an execution that using
Yu Dan
Autobiography-3
My most recently work, Autobiography , is trying to define myself as a social individual in a more reasonable way. As We could use vocabularies in terms of gender, nationality, religion, race etc . To identify ourselves, however, these words are not eternal as we thought. Dislike the vocabularies, the particular experience I have describe more on where I am from. Getting rid of the limits of vocabularies, my work define my identity via capturing the trace of the objects I eat everyday, such like rice, sugar, medicine, teabags even my body. These objects embody the experience I had in a specific place, and the relationship between me and the place. It tells so much more about who and how similar we are. The technical process of my work is Cyanotype prints, which is a photographic process that using the sunlight to produce a blue print. After the exposing step (sunbathe) and then the developing step ,a Cyanotype prints would finally come out. Cyanotype offers an execution that using
Yu Dan
Blue and white porcelain plate painting
This work "symphony", the nature is the source of art,Chinese always said that learning from nature. whether painting, music, dance, and so on, all kinds of art forms, various artists have natural as creative subject. Picture show is the scene of the moment of impact waves reefs, works not realistic, I use their own unique way of blue and white painting, respectively dealing with the background of the waves, the rocks, and reefs under the surface of the water, the picture visual wallop, space is rich, spray blue very thoroughly, but not inflexible, subtle changes in blue and color gradient, with the bright color and gradient radian increased the level of the sea, just like after flap to rock out of the picture. Standing in front of the picture seemed to be able to hear the symphony of nature, works named "symphony", hope that through porcelain works can bring the viewer other audio-visual experience.
Wu Wenlai
沙漠
利用珠片在棉麻布上表现沙漠的起伏不定和及其纹理
Chen Shana
无题-1
用珠绣变现中国的剪纸图案
Chen Shana
无题-2
用珠绣变现中国的剪纸图案
Chen Shana
那一日的海岬
2015年8月，拍摄于海参崴
Chi Wei
宝物
2015年8月，拍摄于海参崴
Chi Wei
镜面世界
2017年10月，拍摄于九寨沟
Chi Wei
BLUE
蓝影小道，梦幻遐想
Li Heying
TEMPLE FAIR
中国人中国节
Li Heying
VIEW
仰望于黑白之间
Li Heying
破阵子
Xu Dehao
杂花图卷
Xu Dehao
大青树
Xu Dehao
巴黎霞光
Xu Dehao
野草野火
Xu Dehao
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