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维他命--13
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
维他命--15
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
美人相 Beauty Verve
美人相 2016年创作于云南。 表现题材为美人蕉与顽石。美人蕉搭配顽石显得愈发秀美多姿，顽石得美人蕉显得愈发雄浑厚重。二者并置，相得益彰。 本幅作品手法上借鉴李复堂，并参缶翁法度。力求设色温润厚重，线条圆厚坚劲，画面艳而不妖，古朴有韵。 Beauty Verve 2016 created in Yunnan. The theme is canna and stone.The cannas become more beautiful when with the stone.The stones become more cute banana become more dignified when with cannas. The two stay with each other,getting better. This work referencesLi Futang,and Wu Changshuo's technique.I want it's color warm and heavy, lines strong, picture Picture vivid but not flirtatious,and has old style charm.
Ding Sanchuan
藏真
Ding Sanchuan
待雏凤 Bamboo
待雏凤 2016年创作于云南。 竹子作为中国花鸟画的传统题材，自古被赋予了虚心，高洁，不争等等文人所推崇的高尚品格。 历代表现竹子的经典造型不胜枚举。本幅作品意在将双勾法度与细笔篆书法度相结合，旁参宋代院体画鸟，力求探索出一种新的以线造型艺术语言。 Bamboo 2016 created in Yunnan. As the traditional theme of Chinese painting, the bamboo was given the modesty, noble, indisputable ,these are what Chinese ancients rewarded. There are countless classic shapes of bamboo in the history.This piece of work combines the line drawing and the seal script.At the same time ,it references the Painting of Royal Style in Song Dynasty . By doing this,I try to explore a new artistic language in line.
Ding Sanchuan
景观的启示61
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
景观的启示63
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
景观的启示64
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
成佛-美院图书馆一角
美院图书馆一角
Zheng Xinyu
对面宿舍的天空
对面宿舍的天空
Zheng Xinyu
美院布展
美院布展的场景
Zheng Xinyu
清芬园旁晾晒的豇豆
食堂清芬园旁晾晒的豇豆
Zheng Xinyu
食堂西瓜供给
食堂西瓜供给地
Zheng Xinyu
匿之境-1
匿之境系列作品描绘了奇幻的现象，隐匿之境，可能产生于梦境，有人与鸟与自然植物，人物残缺，以非正常视角存在，暗示了现代人生活中潜意识里缺少的某种东西，情感，认知，人们不断的得到更多东西也失去更多东西，暗示内心世界秩序的错乱，充满幻想，但又不缺真实感。
Sun Xiaoshu
Shitsurakuen
Immature adults are rarely bad, stupid nor lazy, nor are they immature all the time. However, a lot of times immature adults act like children. In this installation, I hope I can use video, sculptures and printmaking to compare ironically the similarity between adulthood and childhood, to make the audience reflect.
Jin Yu
Find A Path For Your Child
What a parent believes strongly affects her parenting style and her framework for raising a child. Because different cultures value different concepts, Chinese and Western parents naturally differ. Not only do Chinese parents differ in family customs, but they also differ in the goals they set for their children. In my experience of growing up in China, parenting a child can even be a style sacrifice.
Jin Yu
Toilet Paper
Both newspaper and toilet paper are initially paper in the study of phenomenology. However, people treat newspaper in a higher value because it has knowledge and language on it and toilet paper is only used to be consumed. I hope the audience and reconsider the materiality and originality of objects.
Jin Yu
Humanities and Social Sciences Library of Tsinghua University
Humanities and Social Sciences Library of Tsinghua University
Li Xiaohong
Sisters Tree
sisters tree
Li Xiaohong
To Be Or Not
I think that there is no absolute opposition exist in the world. It is therefore that world has time and space.
Zhang Kaixiang
Illusion
Everything that we can feel not only true and illusory, not only unitive but also divergent. We both belong to the ego and the others. The Buddha said to Subhuti: “Everything with form is unreal; if all forms are seen as unreal, the Tathagata will be perceived.”While we are feeling the world, we are feeling ourselves.
Zhang Kaixiang
Light
The world is formed by light.
Zhang Kaixiang
Mountains
Copperplate Etching Painting "Mountains" is a landscape painting on the subject of Interlaken, Switzerland. The painting shows the natural scenery from train to village, and mountains. The painting depicted in a sketch way along with point and line to plane, and shows the passion for natural lives.
Liang Zhiyin
Owl
"Owl" is a Copperplate Etching Painting, which describes an inhabited owl in the night. The leaves surround the owl, and the mottled shadows show a strong contrast between the owl. The painting tells the relationship between diurnal variation and animal's behavior to shows the mystery of nature.
Liang Zhiyin
Hope
"Hope" is a lacquer painting on the subject of birds. The painting depicted in line-drawing method along with abstract and exaggeration ways to show the aspiration of outside world.
Liang Zhiyin
The Taste Of Humor
I always try to explain in the process of creation that art is the purest feeling in human’s mind and the most original expression. Using abstract and semi realistic creation techniques to describe real world and unreal inner image, I devoted to adding my own spiritual meanings to real world.
Sang Fengquan
Automatic And Weak
I was born in Xinjiang, where the camel is a common animal. I wanted to bring it to my work and I started to add animals, compute, and reason element in my work. The unknown space makes me feel exciting when I was in the creation of a small oil painting.
Sang Fengquan
Embrace
I tend to put more feelings to reaction and do the simplest dialogue in mind, to obtain the true feelings of human existence that far away from the complex, I try to keep the most valuable thing of a person. We cannot achieve salvation completely even to death, but we can achieve small moments of self-salvation.
Sang Fengquan
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