中文  |  English
最新 最早
蛋 3
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
蛋 1
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
渐变
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
渐逝
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
蛋
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
36个蛋
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
红格子
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
SECRET-NO53
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
SECRET-NO22
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
SECRET-NO8
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
I seem to see myself
The work depicts a figure consisting of "screw cap" insect upper body and intertwined with "complex texture" lower body, wood wings and cured legs are screwed together, metal texture of the screw symbolizes the mechanization of reality, Woody awkward wings metaphor once the ideal is no longer light to figure out the "we" small individual in the contemporary era of "role" of the helpless and reflection.
Zhang Liang
I look like the series of the wind and the line
The work in a concrete form presents a propeller image that is about to take off, plus the whole metal texture of the body, people legs, wheels and is flying in the horizontal figures, these images like manufacturing, stitching, showing an absurd, mechanized, Is about to take off the shackles of self-image and beyond the image of the ideal and the reality of thinking.
Zhang Liang
I am like a series of rafters on the fish
The Work in the form of fables, black and white effect presents is the assembly of the head of the image of the head, such as metal with a sense of the head, woody granular body, as if the pile of people like legs, with fossils and fish Bone background. The picture shows a absurd, mechanized, materialized self-image and beyond the image of life, what the soul of thinking.
Zhang Liang
分裂的可能性2
细胞如同宇宙，惊人的类似之处蕴含大自然的奥秘。
Zhou Junya
分裂的可能性3
细胞如同宇宙，惊人的类似之处蕴含大自然的奥秘。
Zhou Junya
她说Put your hands up
我们期待发声，期待最真实的呼喊，期待最本真的自我，线条的锋利与速度感试图释放天性，让虚伪，假面，踌躇抛掷脑后，勇敢去面对位置，放开双手搏击，即便落魄失败，都会成为过去。
Zhou Junya
玄-太湖石5号
将山十石置于平静的湖面自然中，代表通过时间的洗礼和变化，这一切终将随风而逝。太湖石在诗中被描写成厥状怪且丑，是一种以奇以怪著称的畸形审美，石头代表生命，代表反理性、颠覆常理的观念，他由自然雕琢，完全脱离人力，内蕴野性的灵气。画者生在石头城，或许是潜移默化的影响也或许是一种巧合，便不自觉地以石头为表达的象征物。以民俗中的泥塑，石雕，木雕等组成石块放置在一种虚造的空间里，意在表现个人对社会构成、人性复杂现象的思索和理解，也饱含对民间娱乐文化的钦佩。
Zhou Junya
醺
纸本岩彩
Chen Boxian
迷迭歌
纸本岩彩
Chen Boxian
夜未央
纸本岩彩
Chen Boxian
聚散
纸本设色
Chen Boxian
归途
绢本设色
Chen Boxian
云水绕桃源
纸本水墨
Chen Boxian
一路向西
水粉
Chen Boxian
复原
水粉、铅笔、色粉、丙烯等
Chen Boxian
春风吹又生
水墨
Chen Boxian
娑婆
水墨
Chen Boxian
维他命--5
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
首页上一页2728293031323334下一页尾页
关于联系/关注友情链接





Copyright © 2016-2017 Eye Art International Inc. All Rights Reserved.