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UNREAL
The Yangtze river and the mountain for the dragon, but no eyes, whether we as a youth is to motivate yourself like this? Then go looking for their own eyes.
Wu Yang
DTEAM
Dream - the true meaning of life, and now I can only dream to find that living I have my land, where the laughter of childhood with ripples of sound in the ears, his hometown, in my young mind deeply etched a permanent brand! Everyone has a dream, often with our wishes and ideal. I have a dream, often can see the beautiful dream come true.
Wang Yanran
GLOWING RED
Afternoon, a sweet taste, harvest a kind of relaxed
Wang Yanran
THREE PEOPLE UNDER THE LAMP
Don't want to express the reality person, just want to through three different posture of cartoon characters show the status of gaffes. Sketch showing their love tone, so this is common sense to performance by different wood carving knife knife method
Bai Yudi
Exclusive
Individuals prefer leisurely, anchored to the day. But whose mind will have a ideal life to composition and aspirations, but life is always so let a person not so good, so many people in life have been pressure breath, even some people have no bear, is selfish. Just want people to know that when you put all the things which make you have a headache wait when they feel this is a kind of enjoyment.
Bai Yudi
Fun(4)
Individuals prefer some dilapidated old s sex scenes, this works is by himself in the street factory real view of the sketch creation then through five printing, silk screen version of the round magnifying glass effect is to let a person feel the feeling, the first to feel this way is also very interesting.
Bai Yudi
默1
灵感来源于书中的一句话“做不美却善良的人，做平静少厌烦的人，不解释，不抱怨，静默如初。”作品在颜色上以最初的三原色红、黄、蓝为主调。在材料上主要以绡、植物种子、水墨为主，结合传统手工拼贴，绗缝刺绣等工艺，希望体现出淡淡的一颗如莲花的静心，淡淡的清香雅韵，淡淡的品味生活。这便是我追求静默如初的态度。
Zhang Xiaodan
默2
灵感来源于书中的一句话“做不美却善良的人，做平静少厌烦的人，不解释，不抱怨，静默如初。”作品在颜色上以最初的三原色红、黄、蓝为主调。在材料上主要以绡、植物种子、水墨为主，结合传统手工拼贴，绗缝刺绣等工艺，希望体现出淡淡的一颗如莲花的静心，淡淡的清香雅韵，淡淡的品味生活。这便是我追求静默如初的态度。
Zhang Xiaodan
默3
灵感来源于书中的一句话“做不美却善良的人，做平静少厌烦的人，不解释，不抱怨，静默如初。”作品在颜色上以最初的三原色红、黄、蓝为主调。在材料上主要以绡、植物种子、水墨为主，结合传统手工拼贴，绗缝刺绣等工艺，希望体现出淡淡的一颗如莲花的静心，淡淡的清香雅韵，淡淡的品味生活。这便是我追求静默如初的态度。
Zhang Xiaodan
长城
不到长城非好汉
Du Zhen
DiffuseI
作品《弥》系列创作于2015年初，在这两年之间结合了中国传统水墨和油画的表现作品，这一系列油画作品能够揭示和呈现西方文化精神的媒材,被中国文化心理和审美结构同化的一个过程和一种体现,它是西方油画被中国文化本土化的一个必然趋势,更深刻地说,它是把中国这个民族观照社会与自然的意象思维方式和叙述经验折射乃至转换到油画语言的审美结构中而形成的油画民族名片。
Zhou Quan
DiffuseII
我在探索意与象、主体与客体、表现与对象的统一。进入现代以后,西方艺术思想出于对个性的尊重,更强调了意、主体、表现这些方面。 我努力的想把“以意构境”、“以意造型”、“以意生色”展现在画面中。开始从笔触笔调的趣味上，从平面造型、轮廓用线、组合性构图等方面，寻找民族形式的种种精神特征，以及可以融合变化的形式因素。
Zhou Quan
DiffuseIII
《弥》系列主要探讨了黑色在表达形态与意蕴的运用，在中国古代黑色普遍称为玄色。我想在作品中把中国传统的墨分五彩，焦、浓、重、淡、轻的概念进行表现清楚。从概念看，只是一种色彩的浓淡层次变化，但从实践经验看，是指焦、浓、重、淡、轻的相互浸破和对比后产生的效果。中国画使用的墨，由于制作上的原因，其色泽有偏冷或暖的差别，实践证明，浓墨与淡墨相对比，浓呈冷、淡呈暖，淡墨与轻墨相对比，淡呈暖、轻呈冷，焦墨与浓墨相对比，焦呈暖、浓呈冷。我在画面中不只是简单的层次变化，也追求有冷暖气象的对比作用。
Zhou Quan
In the end I still lost you
in the end I still lost you
Yang Fang
Long Time You Don Not Rush Score
Long time you don't rush, score
Yang Fang
Worship
Worship of the sun
Yang Fang
So The World
"So the world" This work is my deep feel-ings of life, the progress of science and technology, the network of the world, in-directly led to their own information and exposure to their lives under the public, their privacy gradually reduced, Feeling around life full of eyes watching you, ruthless.
Zhou Kaibin
Where
"Where" mainly in the barbed wire to ex-press my feelings for the moment of a lonely, as in a network of semi-enclosed space, the space can be realistic; it can be created by an external space. I can clearly see all, but I see clearly separat-ed from the net, both clear and vague and chaos, you want to see absolutely clear, but you can not get out, a seem-ingly empty space, but It is difficult to go beyond. And even my own initiative into the network, I fear contact, the space may be my own creation, perhaps I hope lonely, perhaps this is my conflict with the external environment, and perhaps my people, people gap. In the display mode, I will be in the corner, to create a unique sense of space, intended to strengthen my expression, with the viewer to resonate, and works in ac-cordance with the size of the exhibition space to determine the length of the work.
Zhou Kaibin
How
"The direction" overlooking the stairs has a sense of falling, staircase turn round in the end, only to choose the staircase handrails as the main picture, because the handrail is consistent in the end, there will be a visual sense of leadership, highlighting its sense of depth. And this is more like an internal space, more like the inner space, in a narrow and con-fined space, endless rotation, unable to extricate themselves, the darkness is ignorant, but endless extension is better than stagnation, railings Spiral is pulling me forward, exploring, though endless rotation, the road is roundabout, but has been groping forward, as I yearn for love and love of art.
Zhou Kaibin
Reflections On Life
The name of the work is called " reflec-tions on life ", the works presented by photography, shooting the theme is the wall, the wall changes with the passage of time, the wall itself will appear cracks, mildew and some uncontrollable sponta-neous factors, clean White walls do not exist, and the wall because people built, people need him, use it, naturally in the wall surface to create artificial traces, which is caused by people. This photo I selected 12, in accordance with the order I arranged in the horizon-tal exhibition, from the beginning of the clean white walls to their own dry, mil-dew, and then to the man-made walls, and finally back to the white The wall, this metaphor adult life trajectory, as the wall from scratch, and from there to no, people in the process of growing up their own factors, but there are future genera-tions of intervention, which often deter-mine the people Development direction, there are good and bad, different, as the wall presented, but after all, still alone.
Zhou Kaibin
竹之韵01
因为竹子弯而不断的特质，做了一系列弯曲缠绕的竹藤，用竹子象征一种倔强的性格和精神。打破竹子一直以来一根杆的形体常规，制造一种自己想象中柔韧但不失气节和美感的竹子新形体。
Fan Xiaoyan
一撇一捺皆有痕01
这件作品是把画国画竹子的整个过程全部用雕塑的形式呈现，把成就了一个结果的过程记录下来并且把它本来应该有的样子还原呈现在观者面前，这是我做这系列作品所要表达的想法。
Fan Xiaoyan
一撇一捺皆有痕02
这件作品是把画国画竹子的整个过程全部用雕塑的形式呈现，把成就了一个结果的过程记录下来并且把它本来应该有的样子还原呈现在观者面前，这是我做这系列作品所要表达的想法。
Fan Xiaoyan
餐馆的春天
餐馆窗口里的早春
zhouling
冬季
冬季的黑色树木
zhouling
蛋-孵 2
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
蛋-孵 1
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
蛋 2
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
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