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刘天-8岁-全家福
来自一朵儿童美术馆
廖生-8岁-捡飞机
来自一朵儿童美术馆
刘怡婷-8岁-我妈妈
来自一朵儿童美术馆
Water-1
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
Water-2
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
Water-3
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
This Kid
He his tattooed
Yang Ke
Eleven Clouds
斯~斯斯斯~舒~~~呼~舒啦~~啦啦啦啦~哗~~~~~~哗哗哗~斯哗~~嗖~~~~舒啦~~~~~~~~哔哩啪啦~斯~~~/si~si~~~bangbang~~~ho~~ho~~oh~~oh~~~~~~yeah~~yeah~~~si~~~si~~~~~
Yang Ke
CANVAS SHOES
“利用材质的相似性，通过现成品的使用，打破传统绘画的二维平面性。鞋，始终伴随着人类文明的演进，成为人类服饰文明中非常重要的部分。鞋，也同样是人类阶层和阶级的象征符号。随着人类的生产方式不断发生变化，从手工业生产到机器大生产，从差异化到同一化，再到如今商品社会各行业的产业化、标准化。这些变化始终影响着我们的生活方式以及对周遭世界的认知方式。作品呈现的是鞋，也是表情；是当今时代下批量复制的产品，也是当代语境下的我们赋予它的独特意义。作品试图通过我们每个人走路方式和搭配喜好的不同造就鞋的颜色、形状，鞋带系法的不同这一狭义表象，体现当代青年的状态看似同一化，但仍存在着个体化差异这一本质。” "By using the similarity of the material, through the use of ready-made, to break the two-dimensional nature of traditional painting. Shoes are always accompanied by the evolution of human civilization, has become a very important part of the dress culture. It also a symbol of human social stratum and state. With the continuous change of the human mode of production, from handicraft production to machine production, from differentiation to integration, and then to the industrialization and standardization of all sectors of commodity society. These changes always affect the way we live and the way we think about the world around us. My work is the shoes, but also the expression；is a large number of products copied in today's era，but also the unique meaning given by the people in the contemporary context. I try to use this kind of representation on narrow sense that each person’s different collocation preferences and way of walking creates different color、shape and shoelace style of each pair of shoes, to reflect this kind of nature on broad sense that the status of contemporary youth seemingly identical, but it still exists the individual difference."
Zhou Zixuan
Cross The Milky Way
随着科技时代的发展，人们越来越重视高科技产品的使用和服务。反之却几乎忽略了最原始的自然社会，当科技代替自然、弥补自然时我们是否该反思什么才是最美丽的风景。/With the development of the era of science and technology, people pay more and more attention to the use of high-tech products and services. Vice is almost ignored the most primitive natural society, when technology instead of nature, make up for the natural, we should reflect on what is the most beautiful scenery.
Zhang Yue
Daylight Angel
昼天使，日光是你温暖的抚触，在日与夜交替的临界，你用爱将万物化于光明。 Angel of the day, the sun is your warm touch. At the junction of day and night, you melt the light into the light with love.
Wang Kuo
Lily And Ann
我们在一起永远不孤单。 We'll never be alone.
Wang Kuo
Night Angel
夜天使，你用银色长发编织梦境，你就是我暗夜中的憧憬，是最亮的星。 Night angel, you weave the dream with the silver long hair, you are my night vision, you are my brightest star.
Wang Kuo
Tool Man-1
整个社会的发展如同一条机械加工生产线一般，只能不断的向前。而社会上的每一个人便是这条生产线上不同的工具，有着不同的属性、作用。如果你坏掉了，便会换上新的工具，从不会因为你的缺席而停止运转。 The development of the society as a mechanical processing production line, only forward. And everyone in the society is the different tools on the production line, have different properties, function. If you is broken, we can change into new tools, the production line will not stop because of your absence.
Mei Ziying
Tool Man-2
整个社会的发展如同一条机械加工生产线一般，只能不断的向前。而社会上的每一个人便是这条生产线上不同的工具，有着不同的属性、作用。如果你坏掉了，便会换上新的工具，从不会因为你的缺席而停止运转。 The development of the society as a mechanical processing production line, only forward. And everyone in the society is the different tools on the production line, have different properties, function. If you is broken, we can change into new tools, the production line will not stop because of your absence.
Mei Ziying
Strike
柔软的女人裸体与坚硬几何的碰撞。 Soft woman naked collisions with solid geometry.
Mei Ziying
无题-(1)
在一个还未被开发地大山之中，感受到与城市相比较之下更多的那份惬意。 In a mountain that has not yet been developed, we feel more comfortable with the city compared.
Wu Qiong
无题-(2)
石头、泥土、沙粒、风等一系列因素的相互碰撞而产生的自然风貌，让人被它吸引，就像一个为梦想奋斗的人一路奔波的过程。 Stone ,clay ,sand,wind and other factors collide with each other to produce a natural style,,so that people are attracted to it , it likes a dream for people struggling all the way through the process.
Wu Qiong
无题-(3)
通过对材料的不同选择来探寻更过的形式语言，来展现表达对象的丰富性与可读性。 Through the different choice of materials to explore more .formal language, to show the richness and readability of the object.
Wu Qiong
Sharpen Man
现在这个年代，磨刀工越来越少了，这个职业也许再过几年就会消失，无意中看到这个场景，让我想起小时候，于是这个作品就出来了。In the current society,sharpen man is getting less and less,maybe the occupation will disappear ，this occupation reminds me of when I was child,so this work came out.
Sun Ying
Dream
在自己的梦里，我无法摆脱自己的噩梦，我被这些所谓的“规则”所控制，不知道怎么去挣脱，它们随时提醒我要如何“掩饰”自己。译文 In my dream, I can't get rid of my nightmare, I was controlled by these so-called "rule", and I don't know how to break that, they always remind me of how to "hide"myself.
Sun Ying
Who Am I
这个阶段来说，我不知道自己该去做什么，自己很难找到自己，根据“自己”而创作的，确切的说，这个“自己”很难找到。译文 At this stage, I don't know what to do, it is difficult to find themselves, according to "me", specifically, the "me" it's hard to find.
Sun Ying
GETTING CLOSE TO EACH OTHER
这个系列我称之为“时代的虚无之语“。柏拉图《智者》所说，世界是混沌的世界，是流动中正在生成的事物。人类对物质世界追求发展到了更“先进“的今天，来自对“有”的不断追问又或是权利意志的结果——如战争的爆发，环境的污染等等。我在作品里从我个人隐秘的存在经验与世界进行创作。画中的元素来自世界图像的收集，在图像与视觉里形而上的重构表现人的实际生存状况和精神追求。 This series is called "Language in Nothingness of The Times“Plato has once said," the world is a world of chaos,being itself in everchanging." Thanks to the constant questioning about exist or the pursuit of right and will,human beings' desire of a more developed material world now seems coming ture—— a world with wars and detiriating environment,etc. In my works ,I tried to combine my personal experience as a Being with the external world. The images in my works may come from any corner of the world,aiming to reflect the real living condition and the spiritual pursuit of mankind by reconstructing the relationship between image and vision metaphysically.
Chu Tianyi
WHERE I AM - WHERE YOU ARE
这个系列里《我在哪里——你又在何处？》作品中，诡异的绿色蘑菇云，扭动的黑山，在我们整个身外的广阔世界，正像杂沓纷纭的傀儡演出，不断的从舞台上通过，这个世界仍在不断扩张，我们拥有更丰富的社会产物，然而这个时代个体生存体验却自为的出现虚无的精神状况，它夹杂着哀叹，憧憬，无知，并渴望找到自己存在的意义。 In the series"Where I AM——Where You Are?",strang green mushroom cloud and twisted black mountains are like puppets,giving us endless performance in the vast space we live in The world is still expanding,and we never possess so much products than ever before.But,our living experience for itself has given birth to spiritual emptiness mixed with lament longing and ignorance,and everyone is dying to find the meaning of living.
Chu Tianyi
WHAT IS LIKE YOU THE MOST
空气停滞的夜晚 杂乱的藤蔓无序生长 我不知道你是什么 什么和你最相似 黑夜里见到你的行踪 让我满心欢喜 In a stagnant evening vines run wild. I know not who you are I konw not what you are like. I know I an filled with joy when I see you in the dark.
Chu Tianyi
观自在
心经语。 The words in the Prajnaparamita.
Wu Chaoqun
陋室铭
陋室铭，篆书作品。 A humble abode though this is, my virtues make it smell sweet.
Wu Chaoqun
永生
死，作为生的一部分永生。 The power of dead.
Wu Chaoqun
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