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重生门8
行为表演 摄影
Wang Hailun
Ink On Gauze
My research project investigates the relationship between fiber art and Chinese ink painting in contemporary art practice. My research aims to use fiber material to express ink painting in order to apply the change of aesthetic and to give tradition a new order. My study focuses on how to use contemporary-artistic imitation of traditional Chinese painting with composite materials. My work is inspired by Xu Bing’s Background Story and Qi Baishi’s ink paintings. I use gauze, yarn and screen cloth to reconstruct elements in traditional ink paintings and add new elements in my project. By expanding the size and displaying my work in the contemporary manner, I want to change the original visual experience for the audiences to look at traditional ink paintings.
Yue Mingyue
Shrimps On Gauze
My research project investigates the relationship between fiber art and Chinese ink painting in contemporary art practice. My research aims to use fiber material to express ink painting in order to apply the change of aesthetic and to give tradition a new order. My study focuses on how to use contemporary-artistic imitation of traditional Chinese painting with composite materials. My work is inspired by Xu Bing’s Background Story and Qi Baishi’s ink paintings. I use gauze, yarn and screen cloth to reconstruct elements in traditional ink paintings and add new elements in my project. By expanding the size and displaying my work in the contemporary manner, I want to change the original visual experience for the audiences to look at traditional ink paintings.
Yue Mingyue
Shrimps On Gauze Details1
My research project investigates the relationship between fiber art and Chinese ink painting in contemporary art practice. My research aims to use fiber material to express ink painting in order to apply the change of aesthetic and to give tradition a new order. My study focuses on how to use contemporary-artistic imitation of traditional Chinese painting with composite materials. My work is inspired by Xu Bing’s Background Story and Qi Baishi’s ink paintings. I use gauze, yarn and screen cloth to reconstruct elements in traditional ink paintings and add new elements in my project. By expanding the size and displaying my work in the contemporary manner, I want to change the original visual experience for the audiences to look at traditional ink paintings.
Yue Mingyue
Shrimps On Gauze Details2
My research project investigates the relationship between fiber art and Chinese ink painting in contemporary art practice. My research aims to use fiber material to express ink painting in order to apply the change of aesthetic and to give tradition a new order. My study focuses on how to use contemporary-artistic imitation of traditional Chinese painting with composite materials. My work is inspired by Xu Bing’s Background Story and Qi Baishi’s ink paintings. I use gauze, yarn and screen cloth to reconstruct elements in traditional ink paintings and add new elements in my project. By expanding the size and displaying my work in the contemporary manner, I want to change the original visual experience for the audiences to look at traditional ink paintings.
Yue Mingyue
Shrimps On Gauze Details3
My research project investigates the relationship between fiber art and Chinese ink painting in contemporary art practice. My research aims to use fiber material to express ink painting in order to apply the change of aesthetic and to give tradition a new order. My study focuses on how to use contemporary-artistic imitation of traditional Chinese painting with composite materials. My work is inspired by Xu Bing’s Background Story and Qi Baishi’s ink paintings. I use gauze, yarn and screen cloth to reconstruct elements in traditional ink paintings and add new elements in my project. By expanding the size and displaying my work in the contemporary manner, I want to change the original visual experience for the audiences to look at traditional ink paintings.
Yue Mingyue
Wilderness-New World
对我来说绘画不再是生活之外的工作，不再是某种题材表达的外衣，它成为它自己，与我一体！我因它更显见自身的鲜活，与它相互依存，相互延展！它记述着关于我的一切，也记寻着此刻的世界。 As for me,painting is no longer a job outside of life ，It should not serve for a topic.On the one hand painting is independent, and on the other hand it is in symbiosis with me.It not only records the world at the moment, but also records me. It makes me full of vitality.
Cao Aiping
Wilderness-old world
今天，自我被无限放大又被无限践踏，这是生命的悲剧人类的悲哀，这一切无节制的自私行为让人类自身的安全受到威胁。这是时代的显照，每个人都被这混流裹挟前行，一切好像成为人们真实活过的必要佐证！生命不再感受“生命”！“现代文明”好像正在拉拉着整个世界一步步接近无限分裂，跌入无尽深渊！但是人类始终没有放弃为自身探寻出路！ Today, the self is infinitely magnified and infinitely trampled, which is the tragedy of mankind. This is a symbol of the times，everyone is coerced by this mixed line controld, everything seems to be the real life of the necessary evidence! Life becomes blind. "Modern civilization" seems to be pulling the whole world step by step close to infinite split, fell into the abyss! But mankind has never given up for their own way out!
Cao Aiping
Wilderness-Epidermis
艺术可能是今天个体面对世事最柔软温和又一针见血的对话方式！是向死而生的命题，是与生命相融与天地相合的精神显现！ 艺术创作是当头棒喝的诊疗，是根除病灶的希冀，是人类能够生存下去的动力---这是艺术家的理想，也许微弱单薄，但仍愿尽心尽力！ Art becomes a gentle and powerful way of talking to reality!it Is about the cycle of life and death asked. It is the blend of life and heaven and earth! Art is the power of mankind to survive . This is the artist's ideal, although the effect is very small，but I will still work for it.
Cao Aiping
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