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山水之观她念-2-局部
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
一粒米系列-1-稻影
该系列作品共4幅，以一粒米为主题，细至一粒米小至一颗穗大至整片田，色彩采用极具中国特色的青色，处处散发着东方魅力和香气。
Tian Xiaoming
一粒米系列-2-稻粒
该系列作品共4幅，以一粒米为主题，细至一粒米小至一颗穗大至整片田，色彩采用极具中国特色的青色，处处散发着东方魅力和香气。
Tian Xiaoming
一粒米系列-3-稻田
该系列作品共4幅，以一粒米为主题，细至一粒米小至一颗穗大至整片田，色彩采用极具中国特色的青色，处处散发着东方魅力和香气。
Tian Xiaoming
一粒米系列-4-稻香
该系列作品共4幅，以一粒米为主题，细至一粒米小至一颗穗大至整片田，色彩采用极具中国特色的青色，处处散发着东方魅力和香气。
Tian Xiaoming
五谷系列-1-稻
该系列作品共5幅，以中国传统五谷粮食为主题，表现自然谷物的美。虽是以油画材质作为表现形式，但同时借鉴了水彩技法。
Tian Xiaoming
五谷系列-2-黍
该系列作品共5幅，以中国传统五谷粮食为主题，表现自然谷物的美。虽是以油画材质作为表现形式，但同时借鉴了水彩技法。
Tian Xiaoming
五谷系列-3-稷
该系列作品共5幅，以中国传统五谷粮食为主题，表现自然谷物的美。虽是以油画材质作为表现形式，但同时借鉴了水彩技法。
Tian Xiaoming
五谷系列-4-麦
该系列作品共5幅，以中国传统五谷粮食为主题，表现自然谷物的美。虽是以油画材质作为表现形式，但同时借鉴了水彩技法。
Tian Xiaoming
五谷系列-5-菽
该系列作品共5幅，以中国传统五谷粮食为主题，表现自然谷物的美。虽是以油画材质作为表现形式，但同时借鉴了水彩技法。
Tian Xiaoming
安安历险记-1
安安历险记/anan's adventure
Dai Lei
安安历险记-2
安安历险记/anan's adventure
Dai Lei
安安历险记-3
安安历险记/anan's adventure
Dai Lei
The Power Of Speech
一种言论，当他站到一定的高度位置上，可以杀害任何人，包括自己。 An expression that, when he stands up to a certain height, can kill anyone, including himself.
Sun Ke
Bound Defect
人类的伟大就是能抑制自身缺陷的同时弥补缺陷。 The greatness of man is able to restrain his defects and to make up for them.
Sun Ke
Cross
情感的交叉，权利的交叉，时光的交叉，利益的交叉等等的一切，构成了我们的生活，回忆和历史。 The intersection of emotion, the intersection of rights, the intersection of time, the intersection of interests, and so on, all of our lives, memories and history.
Sun Ke
Maui (No.1)
毛伊，波利尼西亚神话人物，一个半人半神的英雄，喜欢开玩笑和恶作剧。 Maui,a hero of Polynesian mythology .He is half man half amazing, and he likes playing practical jokes.
Mu Yang
Maui (No.2)
毛伊，波利尼西亚神话人物，一个半人半神的英雄，喜欢开玩笑和恶作剧。 Maui,a hero of Polynesian mythology .He is half man half amazing, and he likes playing practical jokes.
Mu Yang
Pan Gu
中国神话人物，开天劈地创造了万物。 Pan Gu，a Chinese mythological figure，who creates the world.
Mu Yang
料想不到
通过陶艺语言展现生活中平凡事物的美好Through ceramics art spread of ordinary things in life
He Qiang
料想不到2
通过陶艺语言展现生活中平凡事物的美好Through ceramics art spread of ordinary things in life
He Qiang
不悟BUWU
材质为木头，由香樟木及榉木制作而成。我以圆雕的手法创作了一件我心中的孙悟空形象。我主要想通过这件作品来刻画一个和以往不一样的孙悟空，这是一个为了自由敢于与权贵抗争的形象，并想要以此来告诉自己，不要被一些陈旧的观念所束缚，要勇于创新，敢于冒险。谢谢。Made of wood, made of camphor wood and beech. I created the image of the Sun Wukong in my heart. I mainly want to describe this work and a different from the past, the Monkey King, this is a free dare to fight with the power of the image, and want to tell themselves, do not be bound by some old ideas, to be creative ,Adventurous. Thank you.
Bai Ning
山海经系列·穷奇
此系列作品灵感选自《山海经》中存在的三种凶兽，分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物，是人类阴暗面上某种意义的代表与隐喻。穷奇是一种惩善扬恶、毁信恶忠、崇饰恶言，看见有人打架，它就要去吃了正直有理的一方。听说某人忠厚老实，它就要把那人鼻子吃掉：听说某人作恶多端，反而要捕杀野兽馈赠。/This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie, TaoWu.They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor. QIongQi is a kind of punishment and evil, ruin evil Zhong, Chong Yin evil words, see someone fight, it will go to eat a justified party. I heard that someone was honest and honest, and it would eat the man's nose: I heard that someone was evil, but instead killed the beast.
Wang Chao
山海经系列·饕餮
此系列作品灵感选自《山海经》中存在的三种凶兽，分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物，是人类阴暗面上某种意义的代表与隐喻。饕餮是中国古代传说中的凶兽，它最大特点就是能吃。它是一种想象中的神秘怪兽。这种怪兽没有身体是因为他太能吃把自己的身体吃掉，只有一个大头和一个大嘴，十分贪吃，最后把自己都给吃掉了。它是贪欲的象征，所以常用来形容贪食或贪婪的人。/This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie, TaoWu. They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor. TaoTie is the ancient Chinese legend of the Xiongshou, it is the biggest characteristic is to eat. It is an imaginary mysterious monster. This monster has no body because he too can eat his body to eat, only a big head and a big mouth, very greedy, and finally gave himself to eat. It is a symbol of greed, so it is often used to describe the greedy or greedy people.
Wang Chao
山海经系列·梼杌
此系列作品灵感选自《山海经》中存在的三种凶兽，分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物，是人类阴暗面上某种意义的代表与隐喻。梼杌是上古凶兽之一，被泛指那些为非作歹、祸害民间的恶人。/ This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie,TaoWu.They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor.TaoWu is one of the ancient animals, is generally refers to those who do evil, scourge the evil people.
Wang Chao
壶里乾坤 All Kinds Of Pots
通过锻造银壶的锤痕肌理延伸出对多面体切面的研究，即面数从少到多的变化／the silver forging hammer marks extends out of the cube texture section，such as the number from less to more change
Sun Qiushuang
没有规矩不成方圆-1
礼，是华夏文明最重要的文化内核之一，是五千年来中华民族的精神印记和共有记忆。礼，可以是物质层面的礼物，也可以是精神层面的礼仪。礼以秩序为目标，礼中庸为法则。内求诸心，外藏诸器。礼是灵魂皈依的步履，礼是尽善尽美的方向。上达于仁，下成于艺。礼是对心灵的自我省察，礼也是用正确的方法做正确的事。礼是谦卑，是包容；礼是艺术，是和谐。现代社会的快速发展使得人们对于中国传统礼仪文化的接受与传承变得轻视，‘礼’在年轻人心中的位置和在社会中的地位每况愈下。此作品通过古代成语的牵引来诠释礼法的重要意义，其初衷就是为了呼吁大家重新认识“礼”的内容与作用。 作为公益类的主题海报，更多的是希望在生活、艺术的方面潜移默化的影响观者的内心认识。这种柔软的方式相对于其他形式来说不但更容易使人们接受，而且会在人们心中产生巨大的回响，不失为一种传播正能量的可取方式。 Propriety, is one of the most important cultural core in chinese civilization, is five thousand years of memories company with our ancestry . Propriety, is a self-examination of spiritual , can teaching us the right way to do the right thing. It symbol humble and inclusive;it is art, it is harmony. The rapid development of modern society makes people more and more impetuous,they don’t take the initiative to accept the Chinese traditional culture.This work’s original intention was appeal to rediscover the importance of propriety of the content and effect through the ancient proverb. As the poster theme of Commonweal, I hope to make some subtle influence for viewer and affect their daily life.Use this subtle way can make it easier for people to accept and bring a huge impact than any other ways.So, this is a desirable way to spread positive energy.
Liu Ming
没有规矩不成方圆-2
礼，是华夏文明最重要的文化内核之一，是五千年来中华民族的精神印记和共有记忆。礼，可以是物质层面的礼物，也可以是精神层面的礼仪。礼以秩序为目标，礼中庸为法则。内求诸心，外藏诸器。礼是灵魂皈依的步履，礼是尽善尽美的方向。上达于仁，下成于艺。礼是对心灵的自我省察，礼也是用正确的方法做正确的事。礼是谦卑，是包容；礼是艺术，是和谐。现代社会的快速发展使得人们对于中国传统礼仪文化的接受与传承变得轻视，‘礼’在年轻人心中的位置和在社会中的地位每况愈下。此作品通过古代成语的牵引来诠释礼法的重要意义，其初衷就是为了呼吁大家重新认识“礼”的内容与作用。 作为公益类的主题海报，更多的是希望在生活、艺术的方面潜移默化的影响观者的内心认识。这种柔软的方式相对于其他形式来说不但更容易使人们接受，而且会在人们心中产生巨大的回响，不失为一种传播正能量的可取方式。 Propriety, is one of the most important cultural core in chinese civilization, is five thousand years of memories company with our ancestry . Propriety, is a self-examination of spiritual , can teaching us the right way to do the right thing. It symbol humble and inclusive;it is art, it is harmony. The rapid development of modern society makes people more and more impetuous,they don’t take the initiative to accept the Chinese traditional culture.This work’s original intention was appeal to rediscover the importance of propriety of the content and effect through the ancient proverb. As the poster theme of Commonweal, I hope to make some subtle influence for viewer and affect their daily life.Use this subtle way can make it easier for people to accept and bring a huge impact than any other ways.So, this is a desirable way to spread positive energy.
Liu Ming
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