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秩序法则之NO.1
我们每个人都是自然和社会进程中的一个点,没有秩序就没有真实,自然系统有着自己的法则和规律,世界上的一切都必须按照一定的规矩秩序各就各位
Qin Shuaishuai
秩序法则之NO.2
我们每个人都是自然和社会进程中的一个点,没有秩序就没有真实,自然系统有着自己的法则和规律,世界上的一切都必须按照一定的规矩秩序各就各位
Qin Shuaishuai
Where To Go
With the construction of modernization, more and more modern buildings springing up like mushrooms. As result, more and more historic sites are destroyed, and replace by new buildings. The truth is very sad, cause these historic sites are not just old buildings, they carry thousands of years of history and culture. There is always conflict between new and old. But old does not mean that they should be discarded, like the old historic sites. On the contrary, they should to be protected, and the old culture needs to be inherited. This painting use knife carving on wet oil material.
Jia Yuanhua
On Trip
This painting also use one line, start from the traffic light, end with the flag, and there is no cross between lines. There are totally 27 vehicles In this painting, starting from the first truck of China in 1956, the first agricultural tractor 1958, then as time goes on, the vehicles are becoming more and more advanced, including Rolls-Royce, Benz, F1, etc. As you see, the progress of science and technology should make our life easier and comfortable, but on the contrary, there is traffic jam everywhere. No matter how big and advanced car we have, like the super one, there will also be traffic in front of Red Light. This painting use knife carving on wet oil material.
Jia Yuanhua
You
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
Breathing
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
Purple Cloud
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
The City Of Souls
Longing for the soul of freedom
Gao Zhenru
Octopus
I am from the octopus tentacles on the cup to think of large and small all kinds of gears. The gears are often driven by each other, and one drives the other gear to turn the power. It is like useless, lonely gear is very difficult to be rotated, tens of millions of "we" formed a beautiful world.
Gao Zhenru
THE LAST OF THE STRUGGLE
More and more social factors that we happened a lot of uncontrollable factors
Peng Yao
The Needle Series 2
We also afraid of sharp and bright red things?
Peng Yao
The Needle Series Three
The ideal and the reality of collision, how many things in opposition.
Peng Yao
BACK
Go back home from a foreign land. I am inspired by my friends in the field, he is very difficult to go home every time, the number of times to go home less and less, with the parents of the time is also more and more short. Home is the most modern city people want to do it, it makes people feel relaxed and happy, a sense of belonging. The nest is not my home, on the road, earn more money, the more bitter, home will return a peace. Home is happy, but there will be an unhappy situation, if the parents sick. This is the expression of the sad home; home is happy, home is all the more colorful.
Wang Siyu
IN MEMORY
This is a scene in my memory that my grandfather first play with me in heavy traffic street and lined with buildings, some are so fuzzy. Grandpa is not in, but a good memory in my mind, although not very clear, but a good feeling in my heart forever.
Wang Siyu
镜·缠Ⅰ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅱ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅲ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
孤
This picture is my creation to clown role performance. The cover is under the mask of fear and inferiority, there is a unknown sad and secrets. The hat character performance is ironic another false of the people. Black and white and color contrast is giving these two background, lonely people, the last of the light.
Hao Yanqing
Memories Of Home
Over a decade passed. The house that I once lived in as a child is still there while the residents that now live there have changed. But the unforgettable memory is even fresher after years. Childhood recall will be exhibited in watercolor. During the painting process, my yearnings for the past never faded, which turned into colorfulness.
Jiang Shujun
Our Market
The fair, where passersby shuttle forth and back, unfolds living conditions and spiritual features of a city. In the works, fairs on streets are combined with scenes in dreams. Impressed with mystery, visitors will feel a sense of wander between reality and illusion.
Jiang Shujun
No One Here
The empty plane cabin implies hesitation and helplessness. Trivialities of life lead to our frequent insomnia. We hope to explore solutions to problems, tossing about in bed the whole night. Our painstaking efforts, however, end up in vain. What we dream about at night reflects what we think about in day. The persistent sense of panic overspreads our bodies. Dreams, sometimes, are reflections of what we think, so my dreams are embodied in painting with self-revelation.
Jiang Shujun
Order Rule NO.2
Each of us is a point in the process of the nature and society, no order, no real, natural system has its own rules and laws, everything in the world must be ready all according to certain rules and order.
Qin Shuaishuai
Order Rule NO.1
Each of us is a point in the process of the nature and society, no order, no real, natural system has its own rules and laws, everything in the world must be ready all according to certain rules and order.
Qin Shuaishuai
夏雨声声1
“土茅间内机杼声，灯盏框外事不闻，奈何，犹听夏雨，声声情。”夏布已传承二千余年，作为非物质文化遗产，自身质朴简约、无拘无束、与自然融为一体。作品以无色夏布作为形式框架，并填充絮棉，通过扎，编，绕，贴，缝，结，缠，排列，悬挂等综合技法，在其夏布表面进行纹理演绎变形，营造出“奇秀多变”的艺术形象，在平淡中寻异真。十十百百，皆错行之，散散落落，七七八八。夏布的质朴，纯粹，以新的装置形式来表现传统的夏布，具有极强的律动性。一场夏雨过后，一支支应邀而起的竹笋，正用寂静的心跳回应着夏的召唤。
Wang Yan
夏雨声声2
“土茅间内机杼声，灯盏框外事不闻，奈何，犹听夏雨，声声情。”夏布已传承二千余年，作为非物质文化遗产，自身质朴简约、无拘无束、与自然融为一体。作品以无色夏布作为形式框架，并填充絮棉，通过扎，编，绕，贴，缝，结，缠，排列，悬挂等综合技法，在其夏布表面进行纹理演绎变形，营造出“奇秀多变”的艺术形象，在平淡中寻异真。十十百百，皆错行之，散散落落，七七八八。夏布的质朴，纯粹，以新的装置形式来表现传统的夏布，具有极强的律动性。一场夏雨过后，一支支应邀而起的竹笋，正用寂静的心跳回应着夏的召唤。
Wang Yan
夏雨声声3
“土茅间内机杼声，灯盏框外事不闻，奈何，犹听夏雨，声声情。”夏布已传承二千余年，作为非物质文化遗产，自身质朴简约、无拘无束、与自然融为一体。作品以无色夏布作为形式框架，并填充絮棉，通过扎，编，绕，贴，缝，结，缠，排列，悬挂等综合技法，在其夏布表面进行纹理演绎变形，营造出“奇秀多变”的艺术形象，在平淡中寻异真。十十百百，皆错行之，散散落落，七七八八。夏布的质朴，纯粹，以新的装置形式来表现传统的夏布，具有极强的律动性。一场夏雨过后，一支支应邀而起的竹笋，正用寂静的心跳回应着夏的召唤。
Wang Yan
互驯1
《互驯》的媒介材料是纤维中的毛线和皮，其材质柔美的触感和漆的空灵、神秘、平静有一种天然的契合。小小地改变漆器的基本属性，通过与纤维的置换与嫁接，把我们熟知的审美过滤，链接无限的可能。“一位好的艺术家至少要会五种艺术语言”，达利如是说。艺术语言的拓展能将传统的观念、思想、形式延续成新的实验课题。以漆载道，加以新材料的介入从某种意义上打破了传统漆器的例行轨道，从而产生了一种鲜活的质感，多变的层次以及新的审美知觉。设计《互驯》时，通过借助不同的材料与工艺手段，将色彩、空间、形状、质感及情感上的潜在价值呈现出来。运用密集柔软的肌理表现线性的集合，同时与漆内层的金粉线性装饰遥相呼应，营造出一种刚毅而不失柔美的视觉感受。我努力表达我对传统艺术的认识，两者的结合，使我认识到这样的一种新的可能性，它们既是纤维，又是漆器，或许有点传统工艺的味道，但却赋予更多的含义。
Wang Yan
互驯2
《互驯》的媒介材料是纤维中的毛线和皮，其材质柔美的触感和漆的空灵、神秘、平静有一种天然的契合。小小地改变漆器的基本属性，通过与纤维的置换与嫁接，把我们熟知的审美过滤，链接无限的可能。“一位好的艺术家至少要会五种艺术语言”，达利如是说。艺术语言的拓展能将传统的观念、思想、形式延续成新的实验课题。以漆载道，加以新材料的介入从某种意义上打破了传统漆器的例行轨道，从而产生了一种鲜活的质感，多变的层次以及新的审美知觉。设计《互驯》时，通过借助不同的材料与工艺手段，将色彩、空间、形状、质感及情感上的潜在价值呈现出来。运用密集柔软的肌理表现线性的集合，同时与漆内层的金粉线性装饰遥相呼应，营造出一种刚毅而不失柔美的视觉感受。我努力表达我对传统艺术的认识，两者的结合，使我认识到这样的一种新的可能性，它们既是纤维，又是漆器，或许有点传统工艺的味道，但却赋予更多的含义。
Wang Yan
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