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Museum-3
不期而遇在此隐居的诸神。 红色依旧鲜艳， 时光雕刻出岁月的斑纹…… 倾听着来自千百年灵魂深处的声音。 墙外， 在另一个空间里留下了你的足迹。 Meet the gods in this seclusion by chance. Red is still bright, Time carved out of the years of markings . Listening to the voice of the soul from thousands of years. Outside the wall, In another space left your footprints.
Liu Xin
奔
Wang Jingqi
彼岸的救赎
Wang Jingqi
你华丽的苟且
Wang Jingqi
一个女人的生命骑行
Wang Jingqi
Hamlet
画中所绘老者为国学大家，哲学家梁漱溟先生，梁漱溟先生是一位有思想，且始终本着自己的思想而行动的人，作品取名为哈姆雷特是体味到梁先生与哈姆雷特精神气节上的相似相投，不同的时代不同的文化背景不同的意识形态，却传递出了一样的胸怀与信念。他们是赤胆丹心的人文主义者，是不屈不挠的改革先驱，两者虚构与真实相互交织，相同又相异，耐人寻味。
Hanyu Wang
Fill Series One-1
盘错扭打的人体表现的是人类最原生的欲望，肉体如何释放，心灵也无处填补。
Hanyu Wang
Fill Series One-2
盘错扭打的人体表现的是人类最原生的欲望，肉体如何释放，心灵也无处填补。
Hanyu Wang
出来
Shi Zihan
双生
Shi Zihan
在前方指引你的彩虹
Shi Zihan
软雕塑Soft sculpture
视服装为人体的雕塑，与人体雕塑融为一体的软雕塑。The clothing as the body's sculpture, and human sculpture integration of soft sculpture.
Dong Xuan
软雕塑Soft sculpture－半身1
视服装为人体的雕塑，与人体雕塑融为一体的软雕塑。The clothing as the body's sculpture, and human sculpture integration of soft sculpture.
Dong Xuan
机敏的河流
精神指向是对消失中的少数民族的一切进行回忆和思索。在神秘又机敏的黑色河流之中，用朴素而鲜艳的颜色和形状的叠加和对比表现森林中的人和看不见的精灵，展现独特的心理情感。
Lu Siyao
木库莲的声音
在森林中的经历化成抽象的颜色和形状，她是一种回忆。仿佛听到木库莲（北方少数民族乐器口弦琴）的声音，朴素又天真的情愫，危险与美丽。
Lu Siyao
BK&WT
眼前这些是虚无，但正伴随真实存在，落下、上升、凝结、散开，冷冷的，它们正在发生。有言但是无物，有象却是无形，它们在未知中存活。 Liu Chengdong: These are nothingness, but it's something that's true, falling, rising, condensation, spreading, cold, they're happening. There are words but nothing, the elephant is invisible, and they exist in the unknown.
Liu Chengdong
Mix.02
眼前这些是虚无，但正伴随真实存在，落下、上升、凝结、散开，冷冷的，它们正在发生。有言但是无物，有象却是无形，它们在未知中存活。 Liu Chengdong: These are nothingness, but it's something that's true, falling, rising, condensation, spreading, cold, they're happening. There are words but nothing, the elephant is invisible, and they exist in the unknown.
Liu Chengdong
The Four Seasons
眼前这些是虚无，但正伴随真实存在，落下、上升、凝结、散开，冷冷的，它们正在发生。有言但是无物，有象却是无形，它们在未知中存活。 Liu Chengdong: These are nothingness, but it's something that's true, falling, rising, condensation, spreading, cold, they're happening. There are words but nothing, the elephant is invisible, and they exist in the unknown.
Liu Chengdong
Let There Be Light
人的存在性和归属感的思考 Thinking about the existence of human being and the sense of belonging
Xu Shikun
西西弗斯的剧场
人的存在性和归属感的思考 Thinking about the existence of human being and the sense of belonging
Xu Shikun
纵火者
人的存在性和归属感的思考 Thinking about the existence of human being and the sense of belonging
Xu Shikun
A Self Portrait With Short Hair
剪了短发的我比以前来得更加干劲，头发刻画细腻，银质耳坠与细软的头发形成对比，背景贴上金色铜箔纸以点缀华丽，想要寻找不一样的自己。/ Cut the short hair I look more motivated, delicate hair styling, silver earrings and soft hair in contrast, the background affixed with gold foil to embellish the gorgeous, want to find a different of myself.
Yang Qiuxuan
Pure
在木板上绘制工笔人物画，少女的眼神清澈透明，似乎有特别的情愫要述说。/ Painted the tricks figure painting on the board, the girl's eyes clear and transparent, it seems that there are special feelings to tell.
Yang Qiuxuan
Graceful Wind And Beauty
使用中国画传统颜料和墨在白坯布上绘制，运用工笔人物画法和写意晕染在白坯布上营造朦胧的水墨效果，力求在中国人物画上有新的实验突破。/ The use of traditional Chinese painting and ink in the white fabric on the drawing, the use of meticulous figure painting and freehand blooming in the white fabric to create a hazy ink effect, and strive to figure in the Chinese people have a new experimental breakthrough.
Yang Qiuxuan
向上吧中国
这张相片拍摄于17年4月上海M50创意园，那个地方有很多的嘻哈墙绘，当看到这幅墙绘时和其他的与众不同，画着是一个青年，慷慨激昂、充满正气，手举画笔，描绘积极向上的中国，取名《向上吧，中国》
Xu Boheng
鸽王
这张相片拍摄于17年3月份黄兴公园的鸽子屋，当时见到这间小屋里好多鸽子，就凑近拍摄，图中右边的鸽子昂首挺胸、眼神犀利表现出一种拥有威望的王者风范，正好面前的一只鸽子低头呈现出被屈卑驯服、俯首称臣的样子，像似鸽中之王，取名《鸽王》
Xu Boheng
虚mi山系列-4
《虚mi山系列》不是传统意味上的“须弥山”用语。“须弥山”体现的是佛教认识下的宇宙观。宇宙观是对时间与空间的认识，人不会脱离时空的限制。在语言矛盾与现实危机下，物质形态与意识语言的反向，重组与分解。个人“图腾”逐渐强化，是传统与现实的背叛，批判。作品为手工镂刻剪纸，通过视觉符号，似乎体现了中心与边缘的偏离。 "Falsel mi mountain series" is not the traditional meaning of "Sumeru" language. "Sumeru" embodies the cosmology of Buddhism. Cosmology is the understanding of time and space, people will not be divorced from time and space constraints. In the language contradiction and the reality of the crisis, material form and consciousness of language reverse, reorganization and decomposition. Personal "totem" gradually strengthened, it is the tradition and reality of betrayal, criticism. Works for hand-engraved paper-cut, through the visual symbols, seems to reflect the center and the edge of the deviation.
Lou Xiao
奂象-2
作品通过手工镂刻“△”形状，并由小到大排列和不断重复。“△”形状随着纸质的张力伸展开来，呈现出浮雕状态。剪纸所具有的冷抽象风格，在镜面不锈钢反射的背景里，呈现自身的影像，延展了作品的空间维度。当观者近距离经过作品或吹动剪纸时，剪纸影像随剪纸不断浮动，镜面不锈钢中反射的观者影像被剪纸影像破坏。观者的身体参与使作品产生改变，作品自此具有了意义。实际上，这种直接的意义，被人的行为规律所制约。观者的意识被作品干扰，观者启用了认识世界的结构思维，这是作品中抽象符号连续的普遍秩序和被扰乱的影像所导致。在这个过程里，观者与空间、作品相连，观者的行为和心理遭受了不被察觉的压迫感，这是否是对冷抽象意义的否定？还是具有了抽象表现主义的情调？正是作品所要探索的。 Works by hand engraved "△" shape, and from small to large arrangement and repeated. "△" shape with the tension of the paper stretched out, showing a relief state. Paper cutting has a cold abstract style.in the background of specular stainless steel reflection,showing its own image,extending the spatial dimension of the work. When the viewer passes through the work or blows the paper at close range, the paper-cut image is constantly floating with the paper-cut, and the image of the viewer of the mirror reflected in the mirror stainless steel is damaged by the paper-cut image. The body of the viewer participates in making the work change, and the work has meaning since then.In fact, this direct meaning is constrained by the laws of human behavior. The consciousness of the viewer is disturbed by the work, and the viewer has enabled the structural thinking of the world, which is caused by the continuous order of the abstract symbols in the works and the disturbed images. In this process, the viewer is connected with space, works, and the behavior and psychology of the viewer suffer from unseen sense of oppression. Is this a denial of cold abstract meanings? Or has the mood of abstract expressionism? It is the work to explore.
Lou Xiao
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