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Be Yourself
作为90后的我们慢慢从大学步入社会，会有很多阻碍，很多批评嘲笑，很多不理解，可是那又怎样，大声发出自己的声音，哪怕遍体鳞伤也要活得漂亮。/As the teenagers after 90,we are entering the society from university gradually.There are lots of obstacles ,criticisms,and incomprehension.So what ,expressing yourself loudly.Even if it was black and blue all over ,also want to live in beautiful
Chen Hongjie
Be Myself-1
通过每人指纹的特殊性来表达独特的自己，无论是好是坏，最特别的自己才是最精彩的自己。 Through the uniqueness of each fingerprint to express their own unique, whether it is good or bad, the most special is the best of their own.
Yu Shufan
Be Myself-2
通过每人指纹的特殊性来表达独特的自己，无论是好是坏，最特别的自己才是最精彩的自己。 Through the uniqueness of each fingerprint to express their own unique, whether it is good or bad, the most special is the best of their own.
Yu Shufan
留个小皇冠给我
图形的排列和形式直接的影响人的视觉，我想在这一点上尽量打破人的视线，在这基础上植入观念和思维，以此来提高作品质量和审美。
Mu Chunchun
A Fool
“你能如实地认清自己和世界，小我的边界在和宇宙合二为一的高潮中溶解。”
Zhang Yajun
Skin
通过对人体表皮的绘制进行一些表象语言的尝试性描述。 Description some detail of the representation language through drawing image of the human skin.
Han Yi
Black Sense-1
将黑色作为一个长期探究的媒介载体，或主观或被动的赋予“黑色”多面的表达结构，也同样存在于感官与真实间。 Consider "the black" as the media of a long time range research. It gives "the black" a multi-faceted expression structure(Prophesy Faith Life Despair Sacred) in both passively and actively way, even the same thing. And it existing between the sense and reality. But somehow different with sense.
Han Yi
Black Sense-2
将黑色作为一个长期探究的媒介载体，或主观或被动的赋予“黑色”多面的表达结构，也同样存在于感官与真实间。 Consider "the black" as the media of a long time range research. It gives "the black" a multi-faceted expression structure(Prophesy Faith Life Despair Sacred) in both passively and actively way, even the same thing. And it existing between the sense and reality. But somehow different with sense.
Han Yi
Uncle At The Door
老人的皮肤很多皱褶，但我画的比较细腻，他很恍惚，他看着我，我画着他。/The old man's skin a lot of wrinkles,but I painted the more delicate,he was in trance,he looked at me,I draw him.
Zhu Yuxiang
XINJIANG Girl
她开始还有点害羞，后来我和她聊天，她笑着，我画着。/She was a little shy at first,then I talked to her,she smiled,I paint her.
Zhu Yuxiang
Industrial Civilization
从古至今，人类生活生产中工业和科技都在不断发展，我们的艺术形式也在发生很大改变，艺术品本身在每个时代存在的意义却无法去区分有什么具体不同，这些坛子算是对工业美的记录吧。/Ancient times,the development of industry and science and technology in the production of human life,great changes have taken place in our art form.The meaning of art itself in every era,can't tell the difference,these jars are a record of indusrial beauty.
Zhu Yuxiang
April Liangshan Trip
在四川大凉山这是一片静谧的土地上住着一个古老而又神秘的民族——彝族，他们民风淳朴、民俗丰富，历史文化悠久是一处令人神往的圣境。/In Sichuan, Liangshan this is a quiet land lived on an ancient and mysterious nation - Yi, they are simple folk, rich in folklore, history and culture is a fascinating sacred.
Wang Yue
Body And Shadow Comforting Each Other Alone
自我进入艺术创作以来，一直以现实主义题材为主，关注社会，放眼当下，关注底层人文一直是我感兴趣的地方，因为作为一个艺术家，除了创作表达自己内心情感的艺术品以外，还应该具有一定的社会责任感，社会培养了我们，我们长大后也理应用自己的所学反馈社会，然而艺术对于社会的贡献并不像理科、工科那样直接，他们的专业可以提高社会的生产力，提高国家的硬实力，但是科技、军事的进步软实力也必须与其保持均衡，所以这个时候艺术创作显得尤为重要，弘扬传统，发觉一些社会的不良现象或是国家所关注不到的山村等等，这些就是我们艺术家所要承担的责任，我之所以创作这些作品，也是希望通过各大艺术机构展出这些作品能够引起媒体的关注和寻求社会的救助。Since entering art creation, has been the theme of realism, social concern, looking at the moment, I have been concerned about the underlying cultural places of interest, because as an artist, in addition to the creation of art to express their inner feelings, but also have a sense of social responsibility, the social culture of us, we grow up also used their own learning community feedback, but artistic contribution to society is not science, engineering as a direct, their professional can improve social productivity, improve the national hard power, soft power is the progress of science and technology, but also must maintain its military balance, so this time the artistic creation is particularly important, carry forward the traditional, found some bad social phenomena or pay attention to the national village and so on, these are our artists To bear the responsibility, I created these works, but also hope that through the major art institutions to display these works can cause media attention and seek social assistance.
Wang Yue
Salute
自我进入艺术创作以来，一直以现实主义题材为主，关注社会，放眼当下，关注底层人文一直是我感兴趣的地方，因为作为一个艺术家，除了创作表达自己内心情感的艺术品以外，还应该具有一定的社会责任感，社会培养了我们，我们长大后也理应用自己的所学反馈社会，然而艺术对于社会的贡献并不像理科、工科那样直接，他们的专业可以提高社会的生产力，提高国家的硬实力，但是科技、军事的进步软实力也必须与其保持均衡，所以这个时候艺术创作显得尤为重要，弘扬传统，发觉一些社会的不良现象或是国家所关注不到的山村等等，这些就是我们艺术家所要承担的责任，我之所以创作这些作品，也是希望通过各大艺术机构展出这些作品能够引起媒体的关注和寻求社会的救助。Since entering art creation, has been the theme of realism, social concern, looking at the moment, I have been concerned about the underlying cultural places of interest, because as an artist, in addition to the creation of art to express their inner feelings, but also have a sense of social responsibility, the social culture of us, we grow up also used their own learning community feedback, but artistic contribution to society is not science, engineering as a direct, their professional can improve social productivity, improve the national hard power, soft power is the progress of science and technology, but also must maintain its military balance, so this time the artistic creation is particularly important, carry forward the traditional, found some bad social phenomena or pay attention to the national village and so on, these are our artists To bear the responsibility, I created these works, but also hope that through the major art institutions to display these works can cause media attention and seek social assistance.
Wang Yue
故梦·恰童年
如梦似幻，忆童年，愿沉溺其中，但只活在当下。
Zhao Qingqing
南来的风
南来的风，带着茉莉的芬芳；它轻轻吹，吹开你额上的刘海，吹起年少的裙妆；吹起那年梁上的网，吹走那日晨起的霜；吹花了你的模样，吹乱了我的思想，吹走无尽的时光。
Zhao Qingqing
来自静默时刻的讯息-2
用安静与克制来表达画面，对滥用权力、镇压、暴力的当代的立场作为创作主题。
Zhan Qingyu
来自静默时刻的讯息-4
用安静与克制来表达画面，对滥用权力、镇压、暴力的当代的立场作为创作主题。
Zhan Qingyu
来自静默时刻的讯息-9
用安静与克制来表达画面，对滥用权力、镇压、暴力的当代的立场作为创作主题。
Zhan Qingyu
伪证No.1
作品并不直接表现社会政治性命题，而是通过收集一些有所感悟的图像资料着力描述一种日常生活的场景与状态从某种意义上说，我的创作仿佛是在传统和记忆即将消逝的时刻对记忆的追认，并被纳入到他个体切身的生存经历和重构记忆当中。既是记忆的现实显影，又是在其形而上的超验表现，也正是这种表层的真实后面隐藏得更为深刻的真实，才能引起我们心灵上的共鸣乃至震撼。 The work does not directly represent the social and political propositions, but rather through the collection of some sentimental images to describe a daily life of the scene and state in a sense, my creation as if the tradition and memory is about to die Always on the memory of the pursuit, and was included in his personal survival experience and reconstruction of memory. Both the reality of memory development, but also in its metaphysical transcendental performance, it is also the surface of the real behind the hidden more profound real, in order to cause our spiritual resonance and even shock.
Li Rui
伪证No.2
作品并不直接表现社会政治性命题，而是通过收集一些有所感悟的图像资料着力描述一种日常生活的场景与状态从某种意义上说，我的创作仿佛是在传统和记忆即将消逝的时刻对记忆的追认，并被纳入到他个体切身的生存经历和重构记忆当中。既是记忆的现实显影，又是在其形而上的超验表现，也正是这种表层的真实后面隐藏得更为深刻的真实，才能引起我们心灵上的共鸣乃至震撼。 The work does not directly represent the social and political propositions, but rather through the collection of some sentimental images to describe a daily life of the scene and state in a sense, my creation as if the tradition and memory is about to die Always on the memory of the pursuit, and was included in his personal survival experience and reconstruction of memory. Both the reality of memory development, but also in its metaphysical transcendental performance, it is also the surface of the real behind the hidden more profound real, in order to cause our spiritual resonance and even shock.
Li Rui
伪证No.4
作品并不直接表现社会政治性命题，而是通过收集一些有所感悟的图像资料着力描述一种日常生活的场景与状态从某种意义上说，我的创作仿佛是在传统和记忆即将消逝的时刻对记忆的追认，并被纳入到他个体切身的生存经历和重构记忆当中。既是记忆的现实显影，又是在其形而上的超验表现，也正是这种表层的真实后面隐藏得更为深刻的真实，才能引起我们心灵上的共鸣乃至震撼。 The work does not directly represent the social and political propositions, but rather through the collection of some sentimental images to describe a daily life of the scene and state in a sense, my creation as if the tradition and memory is about to die Always on the memory of the pursuit, and was included in his personal survival experience and reconstruction of memory. Both the reality of memory development, but also in its metaphysical transcendental performance, it is also the surface of the real behind the hidden more profound real, in order to cause our spiritual resonance and even shock.
Li Rui
Vent No.1
深受超现实主义的影响，这些怪异荒诞的非理性世界的幻觉形象，将对现世人际关系经验的思考纳入戏剧化的虚妄梦境中，是对理性世界的强烈控诉与挣扎。我的画直面畸变的21世纪，在当下社会人们普遍拥有一种“厌世”情绪，喧闹繁荣的表层之下是矛盾与惶恐的失常秩序，运用对身体的描绘来揭示现实的痛楚，是当代人类普遍共通情感的直接映射。 In this recent body of work, they are filled with enthusiasm, anxiety, loneliness and romantic…. The whole series is about contradiction in different ways. She influenced by Surrealism and Neo-Classic. She used thick brushstrokes and thin traditional glazing techniques informed by the collages between abstraction and figuration.
Deng Shiqing
Vent No.2
深受超现实主义的影响，这些怪异荒诞的非理性世界的幻觉形象，将对现世人际关系经验的思考纳入戏剧化的虚妄梦境中，是对理性世界的强烈控诉与挣扎。我的画直面畸变的21世纪，在当下社会人们普遍拥有一种“厌世”情绪，喧闹繁荣的表层之下是矛盾与惶恐的失常秩序，运用对身体的描绘来揭示现实的痛楚，是当代人类普遍共通情感的直接映射。 In this recent body of work, they are filled with enthusiasm, anxiety, loneliness and romantic…. The whole series is about contradiction in different ways. She influenced by Surrealism and Neo-Classic. She used thick brushstrokes and thin traditional glazing techniques informed by the collages between abstraction and figuration.
Deng Shiqing
Vent No.3
深受超现实主义的影响，这些怪异荒诞的非理性世界的幻觉形象，将对现世人际关系经验的思考纳入戏剧化的虚妄梦境中，是对理性世界的强烈控诉与挣扎。我的画直面畸变的21世纪，在当下社会人们普遍拥有一种“厌世”情绪，喧闹繁荣的表层之下是矛盾与惶恐的失常秩序，运用对身体的描绘来揭示现实的痛楚，是当代人类普遍共通情感的直接映射。 In this recent body of work, they are filled with enthusiasm, anxiety, loneliness and romantic…. The whole series is about contradiction in different ways. She influenced by Surrealism and Neo-Classic. She used thick brushstrokes and thin traditional glazing techniques informed by the collages between abstraction and figuration.
Deng Shiqing
Rebirth
“重生”以雾霾天和枯树为灵感来源、枯树下有万千生命力在繁衍开来，寓意环保和讽刺当下雾霾的出现与危害。/"Rebirth" with the fog haze days and dead trees for inspiration, under the tree there are myriad vitality in the spread, moral environment and irony appear and harm of the fog.
Anthony
Bloom
"绽放”以极具生命力的牡丹为中心，供给它营养的绿色“管道”、所剩无几，污水管道处处可见，提醒着人们珍惜这仅有的绿色“管道”。/"Bloom" with extremely has the vitality the peony as the center, its nutrition supply green "pipe", left, sewage pipeline everywhere, reminding people to cherish the only green "pipeline".
Anthony
Eternal
“永恒”以骷髅头和艳丽花朵为主，在骷髅头眼睛盛开的鲜花与黑色背景对比鲜明，凸显生命的张力，龟裂的细缝中长出新芽寓意生命繁衍不息。/"Forever" is given priority to with skulls and gorgeous flower, blooming flowers in skulls eyes with a black background contrast, highlights the tension of life, fine seam crack sprout sprout moral life reproduction.
Anthony
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