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30年前那一天
Li Li
Message From The Moment Of Silence
Walking away from the bustling center of our urban life and watching it at a distance are what I do before I start a work. The giant well-built mechanism of urban life and impersonal masks it wears have made us blind to all the interesting and meaningful details of life. It calls for personal imagination to set them free. We are surrounded by media. If we can step away from the agenda-setting and pseudo-environment for a moment, we may find the uniqueness of things. In this process, I pay special attention to women. I try to describe how they originally are, since their complex beauty has been pushed to simplified itself so much by this consumeristic society.
Wang Xijin
A Lego Apartment
I arranged the demolished buildings like LEGO blocks in my childhood, hope to add some joy to this decayed city. The imagery of bathtub has appeared in many of my paintings repeatedly. This obsession started from a tour in Dunhuang four years ago when I saw local people grow plants in bathtubs under difficult environmental circumstances. Bathtubs mean vitality and desire, I spread pure desire for life into this concrete jungle through the bathtub.
Wang Xijin
Puffed Desire
Puffed food is the hallmark of this era, convenient, fast and cheap. And aren’t the storage racks little grids full of materialistic desire? I put the imagery of bathtub in it repeatedly to continue the thought in “A Lego Apartment” and try the possibility of putting together imageries unrelated to each other.
Wang Xijin
远方的诗 1
The distance of the poem ”works full of melancholy and infinite hope. Work material taken from my dear old clothes and old jewelry, their full of memories.They here is not only the means of creation also is my emotional expression.
Song Zhaoyu
远方的诗 2
The distance of the poem ”works full of melancholy and infinite hope. Work material taken from my dear old clothes and old jewelry, their full of memories.They here is not only the means of creation also is my emotional expression.
Song Zhaoyu
旧物 1
Old memories ”works old jewelry materials taken from my dear old clothes and old jewelry.they are my dear things to accompany me through a lot of beautiful moment.In order to keep the especially feelings forever, I use the fiber to express the unique feelings which the clothes full of memory.
Song Zhaoyu
旧物 5
Old memories ”works old jewelry materials taken from my dear old clothes and old jewelry.they are my dear things to accompany me through a lot of beautiful moment.In order to keep the especially feelings forever, I use the fiber to express the unique feelings which the clothes full of memory.
Song Zhaoyu
旧物 8
Old memories ”works old jewelry materials taken from my dear old clothes and old jewelry.they are my dear things to accompany me through a lot of beautiful moment.In order to keep the especially feelings forever, I use the fiber to express the unique feelings which the clothes full of memory.
Song Zhaoyu
旧物 9
Old memories ”works old jewelry materials taken from my dear old clothes and old jewelry.they are my dear things to accompany me through a lot of beautiful moment.In order to keep the especially feelings forever, I use the fiber to express the unique feelings which the clothes full of memory.
Song Zhaoyu
Summer
这是我记忆中的夏天的色彩，西瓜的红，白色的纱帘，赤着脚的少女，鲜亮的光，一切显得安详又美好。
Zhao Zouchen
似水归堂
灵感来于徽州天井“四水归堂”的寓意，聚水、聚财、聚福气。天地初开，化阴阳二气，凝四方水土，聚八方生命。气凝为水，育天地万物。南方重水，以水为财。引天上之水，聚于家中，意为得上天恩赐。以气御水，以水归财。特地采用三幅为系列，表三生万物之象。山通水绕，藏风纳气之地。四水归堂，四面八方来运。
Wang Chen
瞬息系列·流逝的生命
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
瞬息系列·室外演唱
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
瞬息系列·上坡
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
瞬息系列·静态的危机
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
瞬息系列·忙碌
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
红色的水罐
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
即将逝去的古城一角画
我想通过作品展现出一种在时间的不断流逝下，人们日常生活中的某种瞬息状态，并希望将这种状态在画布上“永恒化”的呈现。这种做法本身蕴含着很大的矛盾，但也正是这种矛盾能够产生一种强大的力量，我相信这种力量是无限的，感人至深的。正是源于对人们最普通的日常生活状态的细心观察，才吸引着我去研究人们面对时间的流逝时，心灵背后脆弱性的一面，并希望以某种创造性的处理方式将其固定在画布上。我想运用一种空间性的绘画语言形式表现自我时间性的情感体验，以此来表现和传达自我情感，尤其是关于记忆的、瞬息和回忆性相关的自我生活经验和体悟。
Wang Xiangnan
Loess Plateau
I love the hometown of thick mountain, love hometown of water, I hope one day my hometown soul can let I depend, again, until deep into her heart, there must be very beautiful.
Liang Jiaqing
Snow
The creative art paper are made,using common tissue dropped with white and red wax liquid.With wax liquid into tissue,the texture of material of tissue change.
Yu Han
God Like Treatment
I have strong interest to western religion, has long been the solemn in the church, quiet and mysterious atmosphere make me love. May be associated with faith, I also tend to more emotion, morality, topics such as death. By trying to such subject matter some use images to express emotions and ideas. In the creation of these plates, theme prefer to "art", namely the impetuous people in today's real life empty psychological portrait, with the image of "no face", reveal the heart of confusion, negative, and impetuous, is a state of survival of the irony alert and their psychological reality. Which also include the state when I was painting show emotional expression, namely, with impromptu emotion. No matter positive or negative, all can be converted into the language performance of the artistic beauty of art, I like to use paint to the canvas to create a picture of the process, just like with your inner dialogue, into it.
Cao Yebo
Nightmare
Allow me a dream: a red and quiet busy...
Cao Yebo
Carnival
Loneliness is a person's carnival, carnival is a group of lonely people
Cao Yebo
自画像 1
Liu Wei
自画像 2
Liu Wei
自画像 3
Liu Wei
Pure Land Melody 3
Memorizing my childhood, I re-interpreting and picking up a brush honestly. Having a different conversation with the tradition, time, nature, "she" is no longer statue, incompletion, just as God-given, which makes her more mysterious and more experienced. This is a masterpiece of the common man and nature. It is painting over and over again that makes time become long and heavy. The independent existence of pigment is meaningful, and each kind represents a memory and a melody.
Fu Xin
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