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董钇辰-8岁-水墨毕加索01
来自一朵儿童美术馆
张么菲-6岁-秋分.jpg
来自一朵儿童美术馆
张锦涵-8岁-爱游泳
来自一朵儿童美术馆
张佳雯-6岁-春天来了
来自一朵儿童美术馆
高振荃-8岁-印第安人
来自一朵儿童美术馆
黄嘉琳-9岁-姐姐的鞋
来自一朵儿童美术馆
侯伯懿-5岁-全家福
来自一朵儿童美术馆
孙天乐-7岁-我妈妈
来自一朵儿童美术馆
于永泇-5岁-仙人掌
来自一朵儿童美术馆
于浩阳-6岁-爱
来自一朵儿童美术馆
曹振轩-6岁-全家福
来自一朵儿童美术馆
及雨萌-8岁-桃子
来自一朵儿童美术馆
叶先琪-5岁-酸甜苦辣
来自一朵儿童美术馆
姚逸帆-6岁-蜜蜂
来自一朵儿童美术馆
Cross The Milky Way
随着科技时代的发展，人们越来越重视高科技产品的使用和服务。反之却几乎忽略了最原始的自然社会，当科技代替自然、弥补自然时我们是否该反思什么才是最美丽的风景。/With the development of the era of science and technology, people pay more and more attention to the use of high-tech products and services. Vice is almost ignored the most primitive natural society, when technology instead of nature, make up for the natural, we should reflect on what is the most beautiful scenery.
Zhang Yue
Lily And Ann
我们在一起永远不孤单。 We'll never be alone.
Wang Kuo
Night Angel
夜天使，你用银色长发编织梦境，你就是我暗夜中的憧憬，是最亮的星。 Night angel, you weave the dream with the silver long hair, you are my night vision, you are my brightest star.
Wang Kuo
Water-1
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
Water-2
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
Water-3
水的主题无需多说就能让人感受到它的深度与温度。我用一些使用过的一次性杯子和卫生纸还有些许颜料作为辅助工具，目的是想体现出环保意思，节约资源。
Liu Youming
This Kid
He his tattooed
Yang Ke
Eleven Clouds
斯~斯斯斯~舒~~~呼~舒啦~~啦啦啦啦~哗~~~~~~哗哗哗~斯哗~~嗖~~~~舒啦~~~~~~~~哔哩啪啦~斯~~~/si~si~~~bangbang~~~ho~~ho~~oh~~oh~~~~~~yeah~~yeah~~~si~~~si~~~~~
Yang Ke
CANVAS SHOES
“利用材质的相似性，通过现成品的使用，打破传统绘画的二维平面性。鞋，始终伴随着人类文明的演进，成为人类服饰文明中非常重要的部分。鞋，也同样是人类阶层和阶级的象征符号。随着人类的生产方式不断发生变化，从手工业生产到机器大生产，从差异化到同一化，再到如今商品社会各行业的产业化、标准化。这些变化始终影响着我们的生活方式以及对周遭世界的认知方式。作品呈现的是鞋，也是表情；是当今时代下批量复制的产品，也是当代语境下的我们赋予它的独特意义。作品试图通过我们每个人走路方式和搭配喜好的不同造就鞋的颜色、形状，鞋带系法的不同这一狭义表象，体现当代青年的状态看似同一化，但仍存在着个体化差异这一本质。” "By using the similarity of the material, through the use of ready-made, to break the two-dimensional nature of traditional painting. Shoes are always accompanied by the evolution of human civilization, has become a very important part of the dress culture. It also a symbol of human social stratum and state. With the continuous change of the human mode of production, from handicraft production to machine production, from differentiation to integration, and then to the industrialization and standardization of all sectors of commodity society. These changes always affect the way we live and the way we think about the world around us. My work is the shoes, but also the expression；is a large number of products copied in today's era，but also the unique meaning given by the people in the contemporary context. I try to use this kind of representation on narrow sense that each person’s different collocation preferences and way of walking creates different color、shape and shoelace style of each pair of shoes, to reflect this kind of nature on broad sense that the status of contemporary youth seemingly identical, but it still exists the individual difference."
Zhou Zixuan
山非山兮水非水-2
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
山非山兮水非水-2-黑框
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
山非山兮水非水-2-局部
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
山非山兮水非水-2-有投影特写局部
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
山非山兮水非水-5
当代水墨钉子画 木板、钉子、布等综合材料
Zhang Huiying
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