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Body And Shadow Comforting Each Other Alone
自我进入艺术创作以来，一直以现实主义题材为主，关注社会，放眼当下，关注底层人文一直是我感兴趣的地方，因为作为一个艺术家，除了创作表达自己内心情感的艺术品以外，还应该具有一定的社会责任感，社会培养了我们，我们长大后也理应用自己的所学反馈社会，然而艺术对于社会的贡献并不像理科、工科那样直接，他们的专业可以提高社会的生产力，提高国家的硬实力，但是科技、军事的进步软实力也必须与其保持均衡，所以这个时候艺术创作显得尤为重要，弘扬传统，发觉一些社会的不良现象或是国家所关注不到的山村等等，这些就是我们艺术家所要承担的责任，我之所以创作这些作品，也是希望通过各大艺术机构展出这些作品能够引起媒体的关注和寻求社会的救助。Since entering art creation, has been the theme of realism, social concern, looking at the moment, I have been concerned about the underlying cultural places of interest, because as an artist, in addition to the creation of art to express their inner feelings, but also have a sense of social responsibility, the social culture of us, we grow up also used their own learning community feedback, but artistic contribution to society is not science, engineering as a direct, their professional can improve social productivity, improve the national hard power, soft power is the progress of science and technology, but also must maintain its military balance, so this time the artistic creation is particularly important, carry forward the traditional, found some bad social phenomena or pay attention to the national village and so on, these are our artists To bear the responsibility, I created these works, but also hope that through the major art institutions to display these works can cause media attention and seek social assistance.
Wang Yue
Salute
自我进入艺术创作以来，一直以现实主义题材为主，关注社会，放眼当下，关注底层人文一直是我感兴趣的地方，因为作为一个艺术家，除了创作表达自己内心情感的艺术品以外，还应该具有一定的社会责任感，社会培养了我们，我们长大后也理应用自己的所学反馈社会，然而艺术对于社会的贡献并不像理科、工科那样直接，他们的专业可以提高社会的生产力，提高国家的硬实力，但是科技、军事的进步软实力也必须与其保持均衡，所以这个时候艺术创作显得尤为重要，弘扬传统，发觉一些社会的不良现象或是国家所关注不到的山村等等，这些就是我们艺术家所要承担的责任，我之所以创作这些作品，也是希望通过各大艺术机构展出这些作品能够引起媒体的关注和寻求社会的救助。Since entering art creation, has been the theme of realism, social concern, looking at the moment, I have been concerned about the underlying cultural places of interest, because as an artist, in addition to the creation of art to express their inner feelings, but also have a sense of social responsibility, the social culture of us, we grow up also used their own learning community feedback, but artistic contribution to society is not science, engineering as a direct, their professional can improve social productivity, improve the national hard power, soft power is the progress of science and technology, but also must maintain its military balance, so this time the artistic creation is particularly important, carry forward the traditional, found some bad social phenomena or pay attention to the national village and so on, these are our artists To bear the responsibility, I created these works, but also hope that through the major art institutions to display these works can cause media attention and seek social assistance.
Wang Yue
Uncle At The Door
老人的皮肤很多皱褶，但我画的比较细腻，他很恍惚，他看着我，我画着他。/The old man's skin a lot of wrinkles,but I painted the more delicate,he was in trance,he looked at me,I draw him.
Zhu Yuxiang
XINJIANG Girl
她开始还有点害羞，后来我和她聊天，她笑着，我画着。/She was a little shy at first,then I talked to her,she smiled,I paint her.
Zhu Yuxiang
Industrial Civilization
从古至今，人类生活生产中工业和科技都在不断发展，我们的艺术形式也在发生很大改变，艺术品本身在每个时代存在的意义却无法去区分有什么具体不同，这些坛子算是对工业美的记录吧。/Ancient times,the development of industry and science and technology in the production of human life,great changes have taken place in our art form.The meaning of art itself in every era,can't tell the difference,these jars are a record of indusrial beauty.
Zhu Yuxiang
A Fool
“你能如实地认清自己和世界，小我的边界在和宇宙合二为一的高潮中溶解。”
Zhang Yajun
Skin
通过对人体表皮的绘制进行一些表象语言的尝试性描述。 Description some detail of the representation language through drawing image of the human skin.
Han Yi
Black Sense-1
将黑色作为一个长期探究的媒介载体，或主观或被动的赋予“黑色”多面的表达结构，也同样存在于感官与真实间。 Consider "the black" as the media of a long time range research. It gives "the black" a multi-faceted expression structure(Prophesy Faith Life Despair Sacred) in both passively and actively way, even the same thing. And it existing between the sense and reality. But somehow different with sense.
Han Yi
Black Sense-2
将黑色作为一个长期探究的媒介载体，或主观或被动的赋予“黑色”多面的表达结构，也同样存在于感官与真实间。 Consider "the black" as the media of a long time range research. It gives "the black" a multi-faceted expression structure(Prophesy Faith Life Despair Sacred) in both passively and actively way, even the same thing. And it existing between the sense and reality. But somehow different with sense.
Han Yi
边韦一-八岁-土豆丝和清炒小油菜
来自一朵儿童美术馆
张夏雨-八岁-杂技
来自一朵儿童美术馆
张若仪-七岁-女人像
来自一朵儿童美术馆
Be Myself-1
通过每人指纹的特殊性来表达独特的自己，无论是好是坏，最特别的自己才是最精彩的自己。 Through the uniqueness of each fingerprint to express their own unique, whether it is good or bad, the most special is the best of their own.
Yu Shufan
Be Myself-2
通过每人指纹的特殊性来表达独特的自己，无论是好是坏，最特别的自己才是最精彩的自己。 Through the uniqueness of each fingerprint to express their own unique, whether it is good or bad, the most special is the best of their own.
Yu Shufan
留个小皇冠给我
图形的排列和形式直接的影响人的视觉，我想在这一点上尽量打破人的视线，在这基础上植入观念和思维，以此来提高作品质量和审美。
Mu Chunchun
Be Yourself
作为90后的我们慢慢从大学步入社会，会有很多阻碍，很多批评嘲笑，很多不理解，可是那又怎样，大声发出自己的声音，哪怕遍体鳞伤也要活得漂亮。/As the teenagers after 90,we are entering the society from university gradually.There are lots of obstacles ,criticisms,and incomprehension.So what ,expressing yourself loudly.Even if it was black and blue all over ,also want to live in beautiful
Chen Hongjie
做个好人以便看起来像个好人-3
好人系列从现实意义上来说其实是一种黑色幽默，所谓的“好人”不是真正意义上的好人，“好人”的概念很难被定义，但我想诉说的“好人”是懂得如何自处，从而不再彷徨，会被环境所接受的人，也可以说成是好的状态的人。
Li Yinong
Cold Leftovers-1
《残羹冷炙》系列之一 作品创作于2016年 综合材料 在当今社会的竞争下，不论是生活还是工作上我们每个人身上都肩负着不同的压力。在这个时候我们都会用什么解压的方式释放自己呢？甜品 但是当我们吃过这些令自己身心愉悦的甜品之后留下的又是什么呢？是食物的残羹冷炙，还是心理上的残羹冷炙…… 《残羹冷炙》系列一用沙土作为基底再用热熔胶作为肌理作出流淌的效果，加深观众对作品的观赏欲望。色彩艳丽可爱。 Competition in today's society, whether life or work on every one of us who are charged with different pressure. At this time we will use any way to extract the release yourself? dessert But when we eat these make oneself happy dessert after what is left? Is the food scraps, scraps or mentally... "Bear" series a sand was used as basal and hot melt adhesive was used as texture to make the effect of flow, deepen the audience watch the desire to work. Colour is gorgeous and lovely.
Zhai Lujia
Cold Leftovers-3
《残羹冷炙》系列之三 作品创作于2017年 布面油画 在当今社会的竞争下，不论是生活还是工作上我们每个人身上都肩负着不同的压力。在这个时候我们都会用什么解压的方式释放自己呢？甜品 但是当我们吃过这些令自己身心愉悦的甜品之后留下的又是什么呢？是食物的残羹冷炙，还是心理上的残羹冷炙…… 《残羹冷炙》系列一用沙土作为基底再用热熔胶作为肌理作出流淌的效果，加深观众对作品的观赏欲望。色彩艳丽可爱。 Competition in today's society, whether life or work on every one of us who are charged with different pressure. At this time we will use any way to extract the release yourself? dessert But when we eat these make oneself happy dessert after what is left? Is the food scraps, scraps or mentally... "Bear" series a sand was used as basal and hot melt adhesive was used as texture to make the effect of flow, deepen the audience watch the desire to work. Colour is gorgeous and lovely.
Zhai Lujia
Cold Leftovers-4
《残羹冷炙》系列之四 作品创作于2017年 布面油画 在当今社会的竞争下，不论是生活还是工作上我们每个人身上都肩负着不同的压力。在这个时候我们都会用什么解压的方式释放自己呢？甜品 但是当我们吃过这些令自己身心愉悦的甜品之后留下的又是什么呢？是食物的残羹冷炙，还是心理上的残羹冷炙…… 《残羹冷炙》系列一用沙土作为基底再用热熔胶作为肌理作出流淌的效果，加深观众对作品的观赏欲望。色彩艳丽可爱。 Competition in today's society, whether life or work on every one of us who are charged with different pressure. At this time we will use any way to extract the release yourself? dessert But when we eat these make oneself happy dessert after what is left? Is the food scraps, scraps or mentally... "Bear" series a sand was used as basal and hot melt adhesive was used as texture to make the effect of flow, deepen the audience watch the desire to work. Colour is gorgeous and lovely.
Zhai Lujia
Ideal Kingdom Of The King-1
表达的是我们想要的生活和想追求的生活貌似很美好，每个人像个理想王一样创造自己的国度，不惧辛苦和困难，去一心寻找和组建自己的幸福生活。其实到最后往往会发现我们追求的是理想国的王，而恰巧我们筑建的是《理想王的国》。 Expression is that we want a life and want to pursue life seems to be very good, each like a king of ideal to create your own country, not afraid of hard work and difficulties, to search and form their own happy life. Actually to finally tends to find that we pursue is the king of the utopia, just we built the \"ideal kingdom of the king\".
Yang Mei
Ideal Kingdom Of The King-2
表达的是我们想要的生活和想追求的生活貌似很美好，每个人像个理想王一样创造自己的国度，不惧辛苦和困难，去一心寻找和组建自己的幸福生活。其实到最后往往会发现我们追求的是理想国的王，而恰巧我们筑建的是《理想王的国》。 Expression is that we want a life and want to pursue life seems to be very good, each like a king of ideal to create your own country, not afraid of hard work and difficulties, to search and form their own happy life. Actually to finally tends to find that we pursue is the king of the utopia, just we built the \"ideal kingdom of the king\".
Yang Mei
Ideal Kingdom Of The King-3
表达的是我们想要的生活和想追求的生活貌似很美好，每个人像个理想王一样创造自己的国度，不惧辛苦和困难，去一心寻找和组建自己的幸福生活。其实到最后往往会发现我们追求的是理想国的王，而恰巧我们筑建的是《理想王的国》。 Expression is that we want a life and want to pursue life seems to be very good, each like a king of ideal to create your own country, not afraid of hard work and difficulties, to search and form their own happy life. Actually to finally tends to find that we pursue is the king of the utopia, just we built the \"ideal kingdom of the king\".
Yang Mei
逝去无名之七
随着时代的变迁，科技日益发达，人们的生活也随着变得丰富多彩。信息时代的到来让我们的时间走动变得越来越快速，我们的文化亦是如此。几十年前的社会大环境跟这个时代完全是两个摸样，有的东西产生了，有的东西消失了。如此迅速得消失在时代的变迁下、消失在文化的改革下、消失在人民的记忆里！那种集体的记忆慢慢消散，不再有大广播、黑白电视、收音机、28寸的凤凰牌自行车等等记忆再次出现。怀旧的情节解不开我们对过去的映像的留恋，点点滴滴的生活、行为方式其实都在表露出从那个时代走过来的痕迹。然而我们今天的生活变得那么奢欲、无聊、空虚、浮躁、梦幻、压抑，这是我们所要得到的生活吗？当然今天我们的确过得比以前更加的丰富了。但是我们也在失去一些值得我们去留恋的纯真。这个年代的记忆对于我们来说就是空白，时代变化太快。我们需要停下来看一看我们的周围，我们的生活！系列作品《逝去无名》就是从这个出发点来构建的框架：那个时代给我们留下来的点滴回忆随着时间正在慢慢消逝能留给我们的东西越来越少，就如画中的空间，我们能记得住的还剩在什么？只是无名而已。无名正是那个时代的纯真，失去的就是纯真，我们所要回忆、所要追求的正是我们在时间的隧道中丢失的无名。 As the change of The Times, science and technology increasingly developed, the life of people with becomes rich and colorful. The arrival of information age makes us walking time becomes more and more quickly, our culture as well. Decades ago, the social environment with this era is completely two touch kind, there is something that is produced, some things disappear. So quickly disappeared under the changes of The Times, disappear under the reform of the cultural, disappear in people's memory! The sort of collective memory dissipate, there will be no major broadcast, black and white television, radio, 28 inches, phoenix bicycle and so on memory again. Nostalgic plot solution doesn't open our image of the past linger, little drops of life, the behavior way are actually express came up from the era of trace. However, today's life has become so love-ridden self, boring, empty, impetuous, dream, depression, this is what we are to get a life? Of course we did today is more abundant than before. But we are losing some pure worth recalling. The memory of the s for us is blank, times change too fast. We need to stop and take a look at all around us, our life! Series \"lost unknown\" is from the starting point to build the framework: the time for us to stay a little memory is slowly faded over time can leave us less and less, the space in the picture, we can remember left in what? Just the unknown. Unknown it was the age of innocence, lost is pure, we have to recall, to pursue what we lost in the time tunnel of the unknown.
Liang Xucai
逝去无名之一
随着时代的变迁，科技日益发达，人们的生活也随着变得丰富多彩。信息时代的到来让我们的时间走动变得越来越快速，我们的文化亦是如此。几十年前的社会大环境跟这个时代完全是两个摸样，有的东西产生了，有的东西消失了。如此迅速得消失在时代的变迁下、消失在文化的改革下、消失在人民的记忆里！那种集体的记忆慢慢消散，不再有大广播、黑白电视、收音机、28寸的凤凰牌自行车等等记忆再次出现。怀旧的情节解不开我们对过去的映像的留恋，点点滴滴的生活、行为方式其实都在表露出从那个时代走过来的痕迹。然而我们今天的生活变得那么奢欲、无聊、空虚、浮躁、梦幻、压抑，这是我们所要得到的生活吗？当然今天我们的确过得比以前更加的丰富了。但是我们也在失去一些值得我们去留恋的纯真。这个年代的记忆对于我们来说就是空白，时代变化太快。我们需要停下来看一看我们的周围，我们的生活！系列作品《逝去无名》就是从这个出发点来构建的框架：那个时代给我们留下来的点滴回忆随着时间正在慢慢消逝能留给我们的东西越来越少，就如画中的空间，我们能记得住的还剩在什么？只是无名而已。无名正是那个时代的纯真，失去的就是纯真，我们所要回忆、所要追求的正是我们在时间的隧道中丢失的无名。 As the change of The Times, science and technology increasingly developed, the life of people with becomes rich and colorful. The arrival of information age makes us walking time becomes more and more quickly, our culture as well. Decades ago, the social environment with this era is completely two touch kind, there is something that is produced, some things disappear. So quickly disappeared under the changes of The Times, disappear under the reform of the cultural, disappear in people's memory! The sort of collective memory dissipate, there will be no major broadcast, black and white television, radio, 28 inches, phoenix bicycle and so on memory again. Nostalgic plot solution doesn't open our image of the past linger, little drops of life, the behavior way are actually express came up from the era of trace. However, today's life has become so love-ridden self, boring, empty, impetuous, dream, depression, this is what we are to get a life? Of course we did today is more abundant than before. But we are losing some pure worth recalling. The memory of the s for us is blank, times change too fast. We need to stop and take a look at all around us, our life! Series \"lost unknown\" is from the starting point to build the framework: the time for us to stay a little memory is slowly faded over time can leave us less and less, the space in the picture, we can remember left in what? Just the unknown. Unknown it was the age of innocence, lost is pure, we have to recall, to pursue what we lost in the time tunnel of the unknown.
Liang Xucai
逝去无名之二
随着时代的变迁，科技日益发达，人们的生活也随着变得丰富多彩。信息时代的到来让我们的时间走动变得越来越快速，我们的文化亦是如此。几十年前的社会大环境跟这个时代完全是两个摸样，有的东西产生了，有的东西消失了。如此迅速得消失在时代的变迁下、消失在文化的改革下、消失在人民的记忆里！那种集体的记忆慢慢消散，不再有大广播、黑白电视、收音机、28寸的凤凰牌自行车等等记忆再次出现。怀旧的情节解不开我们对过去的映像的留恋，点点滴滴的生活、行为方式其实都在表露出从那个时代走过来的痕迹。然而我们今天的生活变得那么奢欲、无聊、空虚、浮躁、梦幻、压抑，这是我们所要得到的生活吗？当然今天我们的确过得比以前更加的丰富了。但是我们也在失去一些值得我们去留恋的纯真。这个年代的记忆对于我们来说就是空白，时代变化太快。我们需要停下来看一看我们的周围，我们的生活！系列作品《逝去无名》就是从这个出发点来构建的框架：那个时代给我们留下来的点滴回忆随着时间正在慢慢消逝能留给我们的东西越来越少，就如画中的空间，我们能记得住的还剩在什么？只是无名而已。无名正是那个时代的纯真，失去的就是纯真，我们所要回忆、所要追求的正是我们在时间的隧道中丢失的无名。 As the change of The Times, science and technology increasingly developed, the life of people with becomes rich and colorful. The arrival of information age makes us walking time becomes more and more quickly, our culture as well. Decades ago, the social environment with this era is completely two touch kind, there is something that is produced, some things disappear. So quickly disappeared under the changes of The Times, disappear under the reform of the cultural, disappear in people's memory! The sort of collective memory dissipate, there will be no major broadcast, black and white television, radio, 28 inches, phoenix bicycle and so on memory again. Nostalgic plot solution doesn't open our image of the past linger, little drops of life, the behavior way are actually express came up from the era of trace. However, today's life has become so love-ridden self, boring, empty, impetuous, dream, depression, this is what we are to get a life? Of course we did today is more abundant than before. But we are losing some pure worth recalling. The memory of the s for us is blank, times change too fast. We need to stop and take a look at all around us, our life! Series \"lost unknown\" is from the starting point to build the framework: the time for us to stay a little memory is slowly faded over time can leave us less and less, the space in the picture, we can remember left in what? Just the unknown. Unknown it was the age of innocence, lost is pure, we have to recall, to pursue what we lost in the time tunnel of the unknown.
Liang Xucai
Winter - Warm Sun
家乡多年未归，沿着儿时记忆中的路，走到了一个似曾相识的地方，见到的，依旧是那片暖阳，照耀的却不在是那梦里的地方 I have not returned hometown for many years, along the road of childhood memory, walked to a familiar place, I see, still is the warm sun, not the place of the dream.
Wang Yuwei
天下无贼-1
Wang Shanshan
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