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"西藏一妻多夫制:多元文化下的婚姻与社会"
世界防治荒漠化和干旱日海报邀请展
睛彩·2018
睛彩·2017
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身体3
Wang Hailun
重生门1
行为表演 摄影
Wang Hailun
重生门2
行为表演 摄影
Wang Hailun
重生门3
行为表演 摄影
Wang Hailun
重生门4
行为表演 摄影
Wang Hailun
重生门5
行为表演 摄影
Wang Hailun
重生门6
行为表演 摄影
Wang Hailun
重生门7
行为表演 摄影
Wang Hailun
重生门8
行为表演 摄影
Wang Hailun
异彩长白
人们喜欢长白连绵的山脉 流连长白神秘的天池 只是我更倾心于长白脚下的彩池 眼神迷离在明磺的泉水里 神情飘忽在氤氲的空气中 人间仙境---不过如此
Li Lin
异彩长白-草图绘制
人们喜欢长白连绵的山脉 流连长白神秘的天池 只是我更倾心于长白脚下的彩池 眼神迷离在明磺的泉水里 神情飘忽在氤氲的空气中 人间仙境---不过如此
Li Lin
异彩长白-制作过程
人们喜欢长白连绵的山脉 流连长白神秘的天池 只是我更倾心于长白脚下的彩池 眼神迷离在明磺的泉水里 神情飘忽在氤氲的空气中 人间仙境---不过如此
Li Lin
独自等待之四
不同空间的孤独植物,似乎在等待着什么。
Xu Zongzhi
独自等待之二
不同空间的孤独植物,似乎在等待着什么。
Xu Zongzhi
独自等待之三
不同空间的孤独植物,似乎在等待着什么。
Xu Zongzhi
The other way you look no.1
每个人内心都有好几个自己,也许有恐怖,有怀疑,有迷漫,那只是人生很小的一部分,但是却被表明的光鲜所掩盖,而艺术则是不由自主地承认他,面对他,贴近他,接受他,放下他/Everyone has a good few themselves, perhaps with fear, doubt, is hazy, that is just a part of life is very small, but it was showed that the glossy cover, but the art is to can't help recognize him, face him, close to him, to accept him, put him down
Shi Fu
The other way you look no.2
每个人内心都有好几个自己,也许有恐怖,有怀疑,有迷漫,那只是人生很小的一部分,但是却被表明的光鲜所掩盖,而艺术则是不由自主地承认他,面对他,贴近他,接受他,放下他/Everyone has a good few themselves, perhaps with fear, doubt, is hazy, that is just a part of life is very small, but it was showed that the glossy cover, but the art is to can't help recognize him, face him, close to him, to accept him, put him down
Shi Fu
The other way you look no.3
每个人内心都有好几个自己,也许有恐怖,有怀疑,有迷漫,那只是人生很小的一部分,但是却被表明的光鲜所掩盖,而艺术则是不由自主地承认他,面对他,贴近他,接受他,放下他/Everyone has a good few themselves, perhaps with fear, doubt, is hazy, that is just a part of life is very small, but it was showed that the glossy cover, but the art is to can't help recognize him, face him, close to him, to accept him, put him down
Shi Fu
自拍
自拍者多为寂寞者,每个自拍者背后都有些许与其华丽照片不同的故事,另一个方面是对生活无处不在的自拍感到有些厌烦。
Liu Youming
风度依旧
对于文化的丁点思考,物是人非,风度依旧。社会怎么改变,人怎么进步,旧家具依然如此。
Liu Youming
女青年
Liu Youming
没有规矩不成方圆-1
礼,是华夏文明最重要的文化内核之一,是五千年来中华民族的精神印记和共有记忆。礼,可以是物质层面的礼物,也可以是精神层面的礼仪。礼以秩序为目标,礼中庸为法则。内求诸心,外藏诸器。礼是灵魂皈依的步履,礼是尽善尽美的方向。上达于仁,下成于艺。礼是对心灵的自我省察,礼也是用正确的方法做正确的事。礼是谦卑,是包容;礼是艺术,是和谐。现代社会的快速发展使得人们对于中国传统礼仪文化的接受与传承变得轻视,‘礼’在年轻人心中的位置和在社会中的地位每况愈下。此作品通过古代成语的牵引来诠释礼法的重要意义,其初衷就是为了呼吁大家重新认识“礼”的内容与作用。 作为公益类的主题海报,更多的是希望在生活、艺术的方面潜移默化的影响观者的内心认识。这种柔软的方式相对于其他形式来说不但更容易使人们接受,而且会在人们心中产生巨大的回响,不失为一种传播正能量的可取方式。 Propriety, is one of the most important cultural core in chinese civilization, is five thousand years of memories company with our ancestry . Propriety, is a self-examination of spiritual , can teaching us the right way to do the right thing. It symbol humble and inclusive;it is art, it is harmony. The rapid development of modern society makes people more and more impetuous,they don’t take the initiative to accept the Chinese traditional culture.This work’s original intention was appeal to rediscover the importance of propriety of the content and effect through the ancient proverb. As the poster theme of Commonweal, I hope to make some subtle influence for viewer and affect their daily life.Use this subtle way can make it easier for people to accept and bring a huge impact than any other ways.So, this is a desirable way to spread positive energy.
Liu Ming
没有规矩不成方圆-2
礼,是华夏文明最重要的文化内核之一,是五千年来中华民族的精神印记和共有记忆。礼,可以是物质层面的礼物,也可以是精神层面的礼仪。礼以秩序为目标,礼中庸为法则。内求诸心,外藏诸器。礼是灵魂皈依的步履,礼是尽善尽美的方向。上达于仁,下成于艺。礼是对心灵的自我省察,礼也是用正确的方法做正确的事。礼是谦卑,是包容;礼是艺术,是和谐。现代社会的快速发展使得人们对于中国传统礼仪文化的接受与传承变得轻视,‘礼’在年轻人心中的位置和在社会中的地位每况愈下。此作品通过古代成语的牵引来诠释礼法的重要意义,其初衷就是为了呼吁大家重新认识“礼”的内容与作用。 作为公益类的主题海报,更多的是希望在生活、艺术的方面潜移默化的影响观者的内心认识。这种柔软的方式相对于其他形式来说不但更容易使人们接受,而且会在人们心中产生巨大的回响,不失为一种传播正能量的可取方式。 Propriety, is one of the most important cultural core in chinese civilization, is five thousand years of memories company with our ancestry . Propriety, is a self-examination of spiritual , can teaching us the right way to do the right thing. It symbol humble and inclusive;it is art, it is harmony. The rapid development of modern society makes people more and more impetuous,they don’t take the initiative to accept the Chinese traditional culture.This work’s original intention was appeal to rediscover the importance of propriety of the content and effect through the ancient proverb. As the poster theme of Commonweal, I hope to make some subtle influence for viewer and affect their daily life.Use this subtle way can make it easier for people to accept and bring a huge impact than any other ways.So, this is a desirable way to spread positive energy.
Liu Ming
没有规矩不成方圆-3
礼,是华夏文明最重要的文化内核之一,是五千年来中华民族的精神印记和共有记忆。礼,可以是物质层面的礼物,也可以是精神层面的礼仪。礼以秩序为目标,礼中庸为法则。内求诸心,外藏诸器。礼是灵魂皈依的步履,礼是尽善尽美的方向。上达于仁,下成于艺。礼是对心灵的自我省察,礼也是用正确的方法做正确的事。礼是谦卑,是包容;礼是艺术,是和谐。现代社会的快速发展使得人们对于中国传统礼仪文化的接受与传承变得轻视,‘礼’在年轻人心中的位置和在社会中的地位每况愈下。此作品通过古代成语的牵引来诠释礼法的重要意义,其初衷就是为了呼吁大家重新认识“礼”的内容与作用。 作为公益类的主题海报,更多的是希望在生活、艺术的方面潜移默化的影响观者的内心认识。这种柔软的方式相对于其他形式来说不但更容易使人们接受,而且会在人们心中产生巨大的回响,不失为一种传播正能量的可取方式。 Propriety, is one of the most important cultural core in chinese civilization, is five thousand years of memories company with our ancestry . Propriety, is a self-examination of spiritual , can teaching us the right way to do the right thing. It symbol humble and inclusive;it is art, it is harmony. The rapid development of modern society makes people more and more impetuous,they don’t take the initiative to accept the Chinese traditional culture.This work’s original intention was appeal to rediscover the importance of propriety of the content and effect through the ancient proverb. As the poster theme of Commonweal, I hope to make some subtle influence for viewer and affect their daily life.Use this subtle way can make it easier for people to accept and bring a huge impact than any other ways.So, this is a desirable way to spread positive energy.
Liu Ming
壶里乾坤 All Kinds Of Pots
通过锻造银壶的锤痕肌理延伸出对多面体切面的研究,即面数从少到多的变化/the silver forging hammer marks extends out of the cube texture section,such as the number from less to more change
Sun Qiushuang
山海经系列·穷奇
此系列作品灵感选自《山海经》中存在的三种凶兽,分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物,是人类阴暗面上某种意义的代表与隐喻。穷奇是一种惩善扬恶、毁信恶忠、崇饰恶言,看见有人打架,它就要去吃了正直有理的一方。听说某人忠厚老实,它就要把那人鼻子吃掉:听说某人作恶多端,反而要捕杀野兽馈赠。/This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie, TaoWu.They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor. QIongQi is a kind of punishment and evil, ruin evil Zhong, Chong Yin evil words, see someone fight, it will go to eat a justified party. I heard that someone was honest and honest, and it would eat the man's nose: I heard that someone was evil, but instead killed the beast.
Wang Chao
山海经系列·饕餮
此系列作品灵感选自《山海经》中存在的三种凶兽,分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物,是人类阴暗面上某种意义的代表与隐喻。饕餮是中国古代传说中的凶兽,它最大特点就是能吃。它是一种想象中的神秘怪兽。这种怪兽没有身体是因为他太能吃把自己的身体吃掉,只有一个大头和一个大嘴,十分贪吃,最后把自己都给吃掉了。它是贪欲的象征,所以常用来形容贪食或贪婪的人。/This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie, TaoWu. They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor. TaoTie is the ancient Chinese legend of the Xiongshou, it is the biggest characteristic is to eat. It is an imaginary mysterious monster. This monster has no body because he too can eat his body to eat, only a big head and a big mouth, very greedy, and finally gave himself to eat. It is a symbol of greed, so it is often used to describe the greedy or greedy people.
Wang Chao
山海经系列·梼杌
此系列作品灵感选自《山海经》中存在的三种凶兽,分别为穷奇、饕餮、梼杌。它们作为古人神说崇拜的具象产物,是人类阴暗面上某种意义的代表与隐喻。梼杌是上古凶兽之一,被泛指那些为非作歹、祸害民间的恶人。/ This series of works inspired by the "Shan Hai Jing" in the existence of the three Xiongshou, respectively, QiongQi, TaoTie,TaoWu.They are the ancients of the ancients said the worship of the concrete product, is a dark side of the human meaning of a representative and metaphor.TaoWu is one of the ancient animals, is generally refers to those who do evil, scourge the evil people.
Wang Chao
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