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归途
绢本设色
Chen Boxian
云水绕桃源
纸本水墨
Chen Boxian
一路向西
水粉
Chen Boxian
复原
水粉、铅笔、色粉、丙烯等
Chen Boxian
春风吹又生
水墨
Chen Boxian
娑婆
水墨
Chen Boxian
维他命--5
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
维他命--13
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
维他命--15
作品以精神永恒性为主要脉络，探寻事物和世界的本源；立足于生存际遇，以人为单位作为切入点，去寻根索源，回归本真，还原最原始最本能简单的动作以极其忍耐、无聊的挤点方式构成物我相容的生命体验；在如消解生命的过程中，情感，价值，观念连带记忆，意图，感受等构建生存意志及对生命体、自然界的认知和社会判断；共同架构起美学秩序；试图建立精神空间和与现实之间建立新的秩序。并不断涉及物质与非物质、空间与非空间、存在与消失、无形与有形等玄学上及禅学上的思考和实验；生命本体随时间推移深化存在进而拓宽生命的维度及意义。
Tang Guozhi
美人相 Beauty Verve
美人相 2016年创作于云南。 表现题材为美人蕉与顽石。美人蕉搭配顽石显得愈发秀美多姿，顽石得美人蕉显得愈发雄浑厚重。二者并置，相得益彰。 本幅作品手法上借鉴李复堂，并参缶翁法度。力求设色温润厚重，线条圆厚坚劲，画面艳而不妖，古朴有韵。 Beauty Verve 2016 created in Yunnan. The theme is canna and stone.The cannas become more beautiful when with the stone.The stones become more cute banana become more dignified when with cannas. The two stay with each other,getting better. This work referencesLi Futang,and Wu Changshuo's technique.I want it's color warm and heavy, lines strong, picture Picture vivid but not flirtatious,and has old style charm.
Ding Sanchuan
藏真
Ding Sanchuan
待雏凤 Bamboo
待雏凤 2016年创作于云南。 竹子作为中国花鸟画的传统题材，自古被赋予了虚心，高洁，不争等等文人所推崇的高尚品格。 历代表现竹子的经典造型不胜枚举。本幅作品意在将双勾法度与细笔篆书法度相结合，旁参宋代院体画鸟，力求探索出一种新的以线造型艺术语言。 Bamboo 2016 created in Yunnan. As the traditional theme of Chinese painting, the bamboo was given the modesty, noble, indisputable ,these are what Chinese ancients rewarded. There are countless classic shapes of bamboo in the history.This piece of work combines the line drawing and the seal script.At the same time ,it references the Painting of Royal Style in Song Dynasty . By doing this,I try to explore a new artistic language in line.
Ding Sanchuan
景观的启示61
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
景观的启示63
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
景观的启示64
“现代生产条件无所不在的社会”中，原先那个物性商品经济世界已经转化成景观的总体存在，转变的实质在于“直接存在的一切全部都转化成为一个表象”。在我们日常生活中的表象里呈现出一种混搭、杂拌、乱炖、穿越、跨界和碎片化的景观现象，同时也传达出“禅”的不可预知性。
Zhao Zhiwang
成佛-美院图书馆一角
美院图书馆一角
Zheng Xinyu
对面宿舍的天空
对面宿舍的天空
Zheng Xinyu
美院布展
美院布展的场景
Zheng Xinyu
清芬园旁晾晒的豇豆
食堂清芬园旁晾晒的豇豆
Zheng Xinyu
食堂西瓜供给
食堂西瓜供给地
Zheng Xinyu
I seem to see myself
The work depicts a figure consisting of "screw cap" insect upper body and intertwined with "complex texture" lower body, wood wings and cured legs are screwed together, metal texture of the screw symbolizes the mechanization of reality, Woody awkward wings metaphor once the ideal is no longer light to figure out the "we" small individual in the contemporary era of "role" of the helpless and reflection.
Zhang Liang
I look like the series of the wind and the line
The work in a concrete form presents a propeller image that is about to take off, plus the whole metal texture of the body, people legs, wheels and is flying in the horizontal figures, these images like manufacturing, stitching, showing an absurd, mechanized, Is about to take off the shackles of self-image and beyond the image of the ideal and the reality of thinking.
Zhang Liang
I am like a series of rafters on the fish
The Work in the form of fables, black and white effect presents is the assembly of the head of the image of the head, such as metal with a sense of the head, woody granular body, as if the pile of people like legs, with fossils and fish Bone background. The picture shows a absurd, mechanized, materialized self-image and beyond the image of life, what the soul of thinking.
Zhang Liang
SECRET-NO53
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
SECRET-NO22
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
SECRET-NO8
My works are mainly developing around the objects of privacy and objects from daily life, where you could also find some anti-normal items. In my childhood, I was always having the feeling that cabinets or containers hided objects as if they are alive. It is possible that if you open it, some magical things would run out of it. Therefore, I created a series of works following this clue. I, as a virtual collector, endorsed a n emotional relationship between the cabinet and the objects inside of it since they have some certain kind of stories which are occasional but also inevitable. From there, I try to convey the personal interests and my understanding towards objects.
Liang Siting
蛋-孵 2
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
蛋-孵 1
蛋，一个司空见惯的东西。仔细想起来，却非常有意思。它从外部打破就是食物，但从内部打破，又是生命的成长。脆弱的外壳下包含着倔强的生气，这种看似矛盾的力量同时体现在一个事物上。一枚完好光滑的蛋，是自然界最单纯的的几何形态之一，可当它的形态遭到破坏，它又会呈现最丰富多变的造型。
Wang Heng
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