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Those Past
This series of works originates from the fact that although the whole world is peaceful, local wars in some parts of the world are still raging, innocent people suffer unbearably, and the living creatures are being destroyed. Especially in Syria, the situation in the same period is getting worse and worse. It reminds me of China a hundred years ago. China a hundred years ago is today's Syria, wars continue, life-threatening, in order to protect the country, emerged countless national heroes, they for this great country, the ancient nation throw their heads, sprinkle their blood is also not hesitant, it is precisely because of them that we can stand today's Chinese nation. In the forest of the nations of the world. They are heroes and deserve our praise and remembrance. Peace has always been the eternal theme of the human world. We long for peace and a better world. Therefore, we oppose war and cherish peace.
Mo Shuqiang
That Time
We yearn for peaceful and tranquil life and yearn for freedom and tranquil days. Living in a time without suffering and war.
Mo Shuqiang
Ferry
To transfer something from one space to another can also be understood as helping, that is, the joy of helping others. Help people get rid of hardship, stay away from the bitter sea and love life.
Mo Shuqiang
Juvenile
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Wei Panpan
Youth
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Wei Panpan
Middle Age
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Wei Panpan
Black Wall
The work does not directly express social and political propositions, but rather collects some of the images and materials of the daily life to describe a scene and state of daily life. In a sense, the creation seems to be in the moment when tradition and memory are about to disappear. The recognition of memory is incorporated into my personal survival experience and reconstructive memory. It is not only the realistic development of memory, but also the metaphysical transcendental expression. It is also the reality behind this real surface that hides more profound truths, which can cause our soul to resonate and even shock.
Li Rui
Death of Marathon
The work does not directly express social and political propositions, but rather collects some of the images and materials of the daily life to describe a scene and state of daily life. In a sense, the creation seems to be in the moment when tradition and memory are about to disappear. The recognition of memory is incorporated into my personal survival experience and reconstructive memory. It is not only the realistic development of memory, but also the metaphysical transcendental expression. It is also the reality behind this real surface that hides more profound truths, which can cause our soul to resonate and even shock.
Li Rui
Tangency
The work does not directly express social and political propositions, but rather collects some of the images and materials of the daily life to describe a scene and state of daily life. In a sense, the creation seems to be in the moment when tradition and memory are about to disappear. The recognition of memory is incorporated into my personal survival experience and reconstructive memory. It is not only the realistic development of memory, but also the metaphysical transcendental expression. It is also the reality behind this real surface that hides more profound truths, which can cause our soul to resonate and even shock.
Li Rui
Silhouette·four
When dealing with the dynamic of a glance, at first, we need to think about how to present her dynamic form on the static canvas. If the painting is ordinary, the picture will appear very dull and boring.
Zhuang Jie
The Side Girl
The earlier works did not use too many flowing and freehand lines and traces of brushwork, but simply depict the image of the characters in an ordinary and simple way. It is just such simple description that can reflect the most real state and emotion of the characters.
Zhuang Jie
Wait for Performance
Break through the former relatively figurative expression technique, mainly in black and white grey color to show a rich level, and accurately capture the psychological state of everyone when waiting for the scene, or anxiety or staring into space or excitement.
Zhuang Jie
Declaration
Nature has the potential to produce complex phenomena from very simple processes. Many social activities and complex behaviors of human beings are also the product of the continuous accumulation of individual behavior. Unrestricted, simple and predictable units are constantly accumulating, breaking the boundaries between natural products and re-created natural products in the process of modularity and pluralism. It not only crosses the boundary between natural constant and modern mutation, but also thinks about the relationship between finiteness and infinity, creation and re-creation.
Wang Fakai
The Gift of Time
Time is magical existence. Simple, children understand; complex, the old confused; forward, there is the future, backwards, there was the past.This work hope to build people's complex feelings of time through simple black and white elements: some people feel the hope, some people see the memory, some people get calm ... These are the gifts that time gives us.
Feng Yi
The Color of Time
The child asked me, "If time has color, which color it would be?", "I'm not sure." I answered him. He said, "I think time is colorful, spring is green, summer is blue, autumn is yellow, winter is white, evening is black, early morning is orange, ......" I hope everyone can find the color they like in colorful time.
Feng Yi
"Chinese 日"
"Chinese 日" is a unit of time, "Chinese 日" in Chinese also means the sun, the ancient begin work when sunrise and go to bed when sunset, "Chinese 日 "(the sun) may be the most intuitive human feeling of time. The work chooses "Chinese 日" as the main element to create, the circle is the shape of the sun, the horizontal and vertical lines are the basic structure of the word "Chinese 日", radiation diagonal line is the representation of the sunshine. Combined with these elements I created the "Chinese 日".
Feng Yi
Container·Rising
The inspiration for the work comes from the "time" to develop problems and reflections on economic development, natural coordination and society in real life. The black and white gray-based picture constitutes various sharp problems in social reality, and the color of jumping out contains With the yearning for the new era and the new world, the reality and the future are blended in the picture between the virtual and the real.
Duan Haiming
Container·Ambition
The inspiration for the work comes from the "time" to develop problems and reflections on economic development, natural coordination and society in real life. The black and white gray-based picture constitutes various sharp problems in social reality, and the color of jumping out contains With the yearning for the new era and the new world, the reality and the future are blended in the picture between the virtual and the real.
Duan Haiming
He·Fun and Interesting
This work is a manifestation of my own rational psychological thinking. It expresses the twists and turns of "time" in an abstract way, and expresses it through a combination of interesting composition and color. There is no black fill in the work, only the color of the language, the interpretation of the dark, the desire for the bright and colorful.
Duan Haiming
Foraging
The little squirrel came out to find food, and suddenly saw the scattered pomegranate seeds, and wanted to eat sweet and delicious pomegranate, so he jumped and wanted to eat pomegranate quickly.
Xie Hongyu
Greedy
Two little squirrels came out to find something to eat at the same time. They also saw a cracked pomegranate. A squirrel already occupied the pomegranate, but the other squirrel was not willing to show weakness. They all wanted to eat pomegranate and even pomegranate that fell to the ground. The seeds are not let go.
Xie Hongyu
My world
The world in my heart, I believe that each of us, whether it is an adult or a child, has a small world of its own, just because the cruelty of society does not allow us to imagine too much, but each of us There will be such a childlike innocence, there will be infinite delusion when nothing happens, and I just magnify the world of my heart, magnify it onto paper, and paint a beautiful piece of my own heart.
Xie Hongyu
Company
I want to express a primitive state and relationship in this work. Mankind has no attachment to civilization, the integration of naked body and nature and beast.
Guo Hongyuan
Being Nothing
In the face of nature, all civilization and the creation of science and technology will eventually dissipate, we in the face of nature, like plants, from the dust, raised in the dust, death also belongs to the dust.
Guo Hongyuan
Dear
Since ancient times, the enslavement and slaughter of human beings has originated from an instinctive force of the jungle.
Guo Hongyuan
Sumeru
Drawing on traditional Chinese religious paintings. The purpose of the work is to look at the world in a religious way, to examine the time space from a cosmic perspective, and to try to express everything in the world.
Li Cong
Walker
The purpose of the road is not necessarily important, the process of walking is the career of the witness, the walker has no boundaries, and the journey is boundless.
Li Cong
Bei Ming
Bei Ming is a geographical term in ancient Chinese mythology. Legend has it that the North Sea is boundless, deep and dark; it refers to the sea that the legendary sun can't reach, at the northern end of the world.
Li Cong
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