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荧光闪烁
Shu Ziyun
荧光闪烁2
Shu Ziyun
Scene
I travel in Guilin, I saw someone in the lake boating, the screen is very harmonious, so there is the impulse to draw down.
Zhang Wenyan
Lost In Her Tree
Once I and my classmates to the forest hiking, when we play the game, playing half of the time, I suddenly looked back at her, the moment her image into my eyes.
Zhang Wenyan
Night Snow Mountain
This is the ski resort and the following accommodation to provide accommodation for the house, the night sky is very transparent, I went out to see the stars, the moonlight to the snow-capped mountains, mapping snow-capped mountains look like.
Zhang Wenyan
Spalling
Not only the qiangpi but the years！
Yu Muzhou
Yearning
这幅作品所描绘的是我所向往的生活，像海子眼中的"面朝大海，春暖花开"。画面即是我眼中自由而浪漫的模样。
Hao Yanqing
People Around
People always leave us a deep impression,for a long time,just remember their characteristics.
Xie Juan
I Am In The Color Of Information
Today is an information society,so the information color is essential,through the information color to express themselves will be more clear and convenient.
Xie Juan
Me Or We
IF you want it ,work for it. It's that simple.
Li Xiaobo
Crazy Grass Series NO.17
"At the end of the series of cursive language" print prints in the relatively high requirements of platemaking and printing techniques, with the background color as an example, the same color printed at least seven times more than this, overprint, look at the picture in the background, there is a thick, self-evident beauty impressed us. The picture in different shades of grey with better, are the reflection of a city development, the rise of skyscrapers is particularly oppressive, lack of a kind of sweet and the beauty of the traditional culture, the complex mentality of today's urban youth to seek freedom in the scene of debauchery in the environment; and the use of retractable pen with cursive calligraphy artistic conception then, the more prominent the of traditional culture, and spiritual and artistic pursuit of gesture, the collision between the two, is to describe the present a new generation of power should yearn for the vitality of youth, and the face of traditional culture, emotion and power should be inside.
Jia Yufei
Crazy Grass Series NO.16
"At the end of the series of cursive language" print prints in the relatively high requirements of platemaking and printing techniques, with the background color as an example, the same color printed at least seven times more than this, overprint, look at the picture in the background, there is a thick, self-evident beauty impressed us. The picture in different shades of grey with better, are the reflection of a city development, the rise of skyscrapers is particularly oppressive, lack of a kind of sweet and the beauty of the traditional culture, the complex mentality of today's urban youth to seek freedom in the scene of debauchery in the environment; and the use of retractable pen with cursive calligraphy artistic conception then, the more prominent the of traditional culture, and spiritual and artistic pursuit of gesture, the collision between the two, is to describe the present a new generation of power should yearn for the vitality of youth, and the face of traditional culture, emotion and power should be inside.
Jia Yufei
Crazy Grass Series NO.12
"At the end of the series of cursive language" print prints in the relatively high requirements of platemaking and printing techniques, with the background color as an example, the same color printed at least seven times more than this, overprint, look at the picture in the background, there is a thick, self-evident beauty impressed us. The picture in different shades of grey with better, are the reflection of a city development, the rise of skyscrapers is particularly oppressive, lack of a kind of sweet and the beauty of the traditional culture, the complex mentality of today's urban youth to seek freedom in the scene of debauchery in the environment; and the use of retractable pen with cursive calligraphy artistic conception then, the more prominent the of traditional culture, and spiritual and artistic pursuit of gesture, the collision between the two, is to describe the present a new generation of power should yearn for the vitality of youth, and the face of traditional culture, emotion and power should be inside.
Jia Yufei
Evening Show
I don't believe you still wish to fly...while your wings had been cut
Fan Kun
Order Rule NO.2
Each of us is a point in the process of the nature and society, no order, no real, natural system has its own rules and laws, everything in the world must be ready all according to certain rules and order.
Qin Shuaishuai
Order Rule NO.1
Each of us is a point in the process of the nature and society, no order, no real, natural system has its own rules and laws, everything in the world must be ready all according to certain rules and order.
Qin Shuaishuai
Memories Of Home
Over a decade passed. The house that I once lived in as a child is still there while the residents that now live there have changed. But the unforgettable memory is even fresher after years. Childhood recall will be exhibited in watercolor. During the painting process, my yearnings for the past never faded, which turned into colorfulness.
Jiang Shujun
Our Market
The fair, where passersby shuttle forth and back, unfolds living conditions and spiritual features of a city. In the works, fairs on streets are combined with scenes in dreams. Impressed with mystery, visitors will feel a sense of wander between reality and illusion.
Jiang Shujun
No One Here
The empty plane cabin implies hesitation and helplessness. Trivialities of life lead to our frequent insomnia. We hope to explore solutions to problems, tossing about in bed the whole night. Our painstaking efforts, however, end up in vain. What we dream about at night reflects what we think about in day. The persistent sense of panic overspreads our bodies. Dreams, sometimes, are reflections of what we think, so my dreams are embodied in painting with self-revelation.
Jiang Shujun
孤
This picture is my creation to clown role performance. The cover is under the mask of fear and inferiority, there is a unknown sad and secrets. The hat character performance is ironic another false of the people. Black and white and color contrast is giving these two background, lonely people, the last of the light.
Hao Yanqing
镜·缠Ⅰ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅱ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅲ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
BACK
Go back home from a foreign land. I am inspired by my friends in the field, he is very difficult to go home every time, the number of times to go home less and less, with the parents of the time is also more and more short. Home is the most modern city people want to do it, it makes people feel relaxed and happy, a sense of belonging. The nest is not my home, on the road, earn more money, the more bitter, home will return a peace. Home is happy, but there will be an unhappy situation, if the parents sick. This is the expression of the sad home; home is happy, home is all the more colorful.
Wang Siyu
IN MEMORY
This is a scene in my memory that my grandfather first play with me in heavy traffic street and lined with buildings, some are so fuzzy. Grandpa is not in, but a good memory in my mind, although not very clear, but a good feeling in my heart forever.
Wang Siyu
THE LAST OF THE STRUGGLE
More and more social factors that we happened a lot of uncontrollable factors
Peng Yao
The Needle Series 2
We also afraid of sharp and bright red things?
Peng Yao
The Needle Series Three
The ideal and the reality of collision, how many things in opposition.
Peng Yao
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