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Order Rule NO.1
Each of us is a point in the process of the nature and society, no order, no real, natural system has its own rules and laws, everything in the world must be ready all according to certain rules and order.
Qin Shuaishuai
Memories Of Home
Over a decade passed. The house that I once lived in as a child is still there while the residents that now live there have changed. But the unforgettable memory is even fresher after years. Childhood recall will be exhibited in watercolor. During the painting process, my yearnings for the past never faded, which turned into colorfulness.
Jiang Shujun
Our Market
The fair, where passersby shuttle forth and back, unfolds living conditions and spiritual features of a city. In the works, fairs on streets are combined with scenes in dreams. Impressed with mystery, visitors will feel a sense of wander between reality and illusion.
Jiang Shujun
No One Here
The empty plane cabin implies hesitation and helplessness. Trivialities of life lead to our frequent insomnia. We hope to explore solutions to problems, tossing about in bed the whole night. Our painstaking efforts, however, end up in vain. What we dream about at night reflects what we think about in day. The persistent sense of panic overspreads our bodies. Dreams, sometimes, are reflections of what we think, so my dreams are embodied in painting with self-revelation.
Jiang Shujun
孤
This picture is my creation to clown role performance. The cover is under the mask of fear and inferiority, there is a unknown sad and secrets. The hat character performance is ironic another false of the people. Black and white and color contrast is giving these two background, lonely people, the last of the light.
Hao Yanqing
镜·缠Ⅰ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅱ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
镜·缠Ⅲ
One day, I look up at the sky，the sun is a bit harsh, I took off a piece of glasses blurred, like a silk thread, a little bit of the world around the lens
Huang Sijia
BACK
Go back home from a foreign land. I am inspired by my friends in the field, he is very difficult to go home every time, the number of times to go home less and less, with the parents of the time is also more and more short. Home is the most modern city people want to do it, it makes people feel relaxed and happy, a sense of belonging. The nest is not my home, on the road, earn more money, the more bitter, home will return a peace. Home is happy, but there will be an unhappy situation, if the parents sick. This is the expression of the sad home; home is happy, home is all the more colorful.
Wang Siyu
IN MEMORY
This is a scene in my memory that my grandfather first play with me in heavy traffic street and lined with buildings, some are so fuzzy. Grandpa is not in, but a good memory in my mind, although not very clear, but a good feeling in my heart forever.
Wang Siyu
THE LAST OF THE STRUGGLE
More and more social factors that we happened a lot of uncontrollable factors
Peng Yao
The Needle Series 2
We also afraid of sharp and bright red things?
Peng Yao
The Needle Series Three
The ideal and the reality of collision, how many things in opposition.
Peng Yao
The City Of Souls
Longing for the soul of freedom
Gao Zhenru
Octopus
I am from the octopus tentacles on the cup to think of large and small all kinds of gears. The gears are often driven by each other, and one drives the other gear to turn the power. It is like useless, lonely gear is very difficult to be rotated, tens of millions of "we" formed a beautiful world.
Gao Zhenru
You
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
Breathing
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
Purple Cloud
Portrait creation through personal understanding and attitude towards life, through its own vision to deep oil painting art form exploring their true heart.
Jing Wenli
Where To Go
With the construction of modernization, more and more modern buildings springing up like mushrooms. As result, more and more historic sites are destroyed, and replace by new buildings. The truth is very sad, cause these historic sites are not just old buildings, they carry thousands of years of history and culture. There is always conflict between new and old. But old does not mean that they should be discarded, like the old historic sites. On the contrary, they should to be protected, and the old culture needs to be inherited. This painting use knife carving on wet oil material.
Jia Yuanhua
On Trip
This painting also use one line, start from the traffic light, end with the flag, and there is no cross between lines. There are totally 27 vehicles In this painting, starting from the first truck of China in 1956, the first agricultural tractor 1958, then as time goes on, the vehicles are becoming more and more advanced, including Rolls-Royce, Benz, F1, etc. As you see, the progress of science and technology should make our life easier and comfortable, but on the contrary, there is traffic jam everywhere. No matter how big and advanced car we have, like the super one, there will also be traffic in front of Red Light. This painting use knife carving on wet oil material.
Jia Yuanhua
秩序法则之NO.1
我们每个人都是自然和社会进程中的一个点,没有秩序就没有真实,自然系统有着自己的法则和规律,世界上的一切都必须按照一定的规矩秩序各就各位
Qin Shuaishuai
秩序法则之NO.2
我们每个人都是自然和社会进程中的一个点,没有秩序就没有真实,自然系统有着自己的法则和规律,世界上的一切都必须按照一定的规矩秩序各就各位
Qin Shuaishuai
沉兽
以丝绸之路上遗留的古代石刻为原型进行创作： 在艺术越来越想为哲学以及现代精神桎梏做出注解而承载更多功能所困的当下，我希望能用画面中的宗教气息去净化和端正对自我的认知以及艺术生活，使自己尽可能的回归至极简状态。

  我一直对中国传统文化和宗教艺术有极大的兴趣。自幼喜欢收藏古代雕塑的爱好，以及对各个时期不同雕塑风格的研究、雕刻背景的探寻，加深了我对石刻原型的理解。最近尝试的绘画用了许多古代石刻为原型，把多年来研究的不同艺术表现手法，糅合穿插于一副作品中，使之碰撞交融，产生一种更加协调饱满而独特的美。
 当下社会，世风浮躁而急进，物质和名利使人迷失，多少怀揣狂热梦想的青年，为物所困、为利所伤。而在画中，上古的神兽在宇宙洪荒中孤独屹立，仿佛在为我们坚守着远古的初心。几千年斗转星移物是人非，我们在看着不变的它们，它们在笑看变化的我们。我想通过一只只神兽的眼睛来审视我们今天生活。我把一些形而上的标志性元素抽离，注入具象的物中，努力营造一种静穆、凝固而有内在张力的画面。绘画的过程也使我更一步加深了对原型的认识。相比大量的图像绘画，我希望这批作品有宗教的那种感染内心、启迪灵魂的力量，这种力量不需要过多文字解说，在目光停留之时，就能触动麻木的神经，濯洗蒙尘的心灵，能与过去交流，能与未来对话。
Sun Yan
留守人间
以丝绸之路上遗留的古代石刻为原型进行创作： 在艺术越来越想为哲学以及现代精神桎梏做出注解而承载更多功能所困的当下，我希望能用画面中的宗教气息去净化和端正对自我的认知以及艺术生活，使自己尽可能的回归至极简状态。

  我一直对中国传统文化和宗教艺术有极大的兴趣。自幼喜欢收藏古代雕塑的爱好，以及对各个时期不同雕塑风格的研究、雕刻背景的探寻，加深了我对石刻原型的理解。最近尝试的绘画用了许多古代石刻为原型，把多年来研究的不同艺术表现手法，糅合穿插于一副作品中，使之碰撞交融，产生一种更加协调饱满而独特的美。
 当下社会，世风浮躁而急进，物质和名利使人迷失，多少怀揣狂热梦想的青年，为物所困、为利所伤。而在画中，上古的神兽在宇宙洪荒中孤独屹立，仿佛在为我们坚守着远古的初心。几千年斗转星移物是人非，我们在看着不变的它们，它们在笑看变化的我们。我想通过一只只神兽的眼睛来审视我们今天生活。我把一些形而上的标志性元素抽离，注入具象的物中，努力营造一种静穆、凝固而有内在张力的画面。绘画的过程也使我更一步加深了对原型的认识。相比大量的图像绘画，我希望这批作品有宗教的那种感染内心、启迪灵魂的力量，这种力量不需要过多文字解说，在目光停留之时，就能触动麻木的神经，濯洗蒙尘的心灵，能与过去交流，能与未来对话。
Sun Yan
异象
以丝绸之路上遗留的古代石刻为原型进行创作： 在艺术越来越想为哲学以及现代精神桎梏做出注解而承载更多功能所困的当下，我希望能用画面中的宗教气息去净化和端正对自我的认知以及艺术生活，使自己尽可能的回归至极简状态。

  我一直对中国传统文化和宗教艺术有极大的兴趣。自幼喜欢收藏古代雕塑的爱好，以及对各个时期不同雕塑风格的研究、雕刻背景的探寻，加深了我对石刻原型的理解。最近尝试的绘画用了许多古代石刻为原型，把多年来研究的不同艺术表现手法，糅合穿插于一副作品中，使之碰撞交融，产生一种更加协调饱满而独特的美。
 当下社会，世风浮躁而急进，物质和名利使人迷失，多少怀揣狂热梦想的青年，为物所困、为利所伤。而在画中，上古的神兽在宇宙洪荒中孤独屹立，仿佛在为我们坚守着远古的初心。几千年斗转星移物是人非，我们在看着不变的它们，它们在笑看变化的我们。我想通过一只只神兽的眼睛来审视我们今天生活。我把一些形而上的标志性元素抽离，注入具象的物中，努力营造一种静穆、凝固而有内在张力的画面。绘画的过程也使我更一步加深了对原型的认识。相比大量的图像绘画，我希望这批作品有宗教的那种感染内心、启迪灵魂的力量，这种力量不需要过多文字解说，在目光停留之时，就能触动麻木的神经，濯洗蒙尘的心灵，能与过去交流，能与未来对话。
Sun Yan
Unknown Landscapes No.1
I believe these nameless landscape will exist somewhere in the world.
Zhao Mingjun
Unknown Landscapes No.2
I believe these nameless landscape will exist somewhere in the world.
Zhao Mingjun
Unknown Landscapes No.3
I believe these nameless landscape will exist somewhere in the world.
Zhao Mingjun
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