这些人物作品是我想用纯粹的雕塑手段来寻找雕塑本体的语言，在“简中求朴”在“朴中求深”。我有意识淡化五官，在黑白浓淡、似与不似之间含蓄地表露情感，注重“心像”和“形神”。 人物形象既是东方的和尚又是西方的圣徒，它是一个综合体，我努力接近一个客观的本然状态，我想让“人道”走进作品的精神性。 “灵魂”的观念常常和“影子”相混淆，我把空间压塑，在侧面的角度呈现抽象的几何形。人物空间的扁平使雕塑本身远离了现实的肉身，在造型中强调“形”的剪影效果，为的是表达灵魂的存在。 These figures are the works I want to use pure sculpture means to find the language of the sculpture, in the "Jane in the park" in the park". I have a weak sense of facial features, in shades of black and white, between May and may not reveal subtle emotions, pay attention to "image" and "spirit". The characters of both Oriental and Western monk saint, it is a complex, I try to be close to an objective nature, I want to let the spirit of "humanity" into the works. The concept of "soul" is often confused with the "shadow", I put the space compression, the angle of the abstract geometry. The flat space of the characters makes the sculpture itself far away from the reality of the body, emphasizing the shape of the silhouette effect in the shape, in order to express the existence of the soul.