《盘潮•归溯》作品以1:1的人形雕塑呈现出一个禅意静坐的意境，对人体雕塑的留白切割处理，更体现了负空间意识的美感，给欣赏者一个可供发现的空间,运用负空间的概念指导创作,很大程度上拓展了雕塑的空间意识和展示创作性,让艺术作品的研究上有了更多的偶然性和可能性。然而，负空间作为空间的一个组成部分,引起了越来越多的艺术家的关注和思考，其中人像雕塑的负空间的意识表现更会触动到人们的心灵，也在一定程度上对展示创作探索上会有一个更深的意义。 “Seated on the tide•Trace to the source ”of works is a 1:1 humanoid sculpture, his works show a Zen meditation on the human body sculpture artistic conception, the blank cutting process, but also reflects the negative space consciousness of beauty, to enjoy a space to be discovered, the guide of the concept of using negative space creation, largely to expand the space consciousness and the creation of sculpture exhibition, to study the works of art on the chance and the possibility of more. However, negative space as a part of space, has attracted more and more attention and thinking of the artist, the negative space of portrait sculpture consciousness will touch the hearts of the people, but also to a certain extent, there is a deeper meaning of creative exploration on display.