娃娃隐喻思维和情绪，懵懂的沿着一条规定好的通道行走，无法看到自己所处空间的全貌，从通道出来后，以为自己到达了新世界，却发现自己处在娃娃机中，大量跟自己一样的娃娃，无法逃脱被夹子选择的宿命，也不知道将被抓到哪里，如果挣扎反抗，就会掉落摔碎。 作品《YES YES YES NO.1》就是影像最后一幕的呈现，将娃娃机从游乐场挪用到展厅中，观者可以抓娃娃，引发对娃娃机的再次认知及其深层含义的探讨，同时引发对人物处境的思考。/Doll metaphor and emotion, muddled along a prescribed path to walk, to see their own space picture, from the channel out, thought he arrived in the new world, they found themselves in a large number of dolls, doll like herself, unable to escape the trap selection fate, also don't know where will be caught, if the struggle against, will drop broken. YES YES YES NO.1 "works" is the last scene of the image will appear, dolls from the playground and diverted to the exhibition hall, the audience can grab the doll, causing discussion again on cognitive and deep meaning of doll machine, at the same time, thinking about the situation of characters.